Literary Criticism of John DrydenUniversity of Nebraska Press, 1967 - 174 sivua |
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Sivu xii
... practice over theory . The same priority is evident in his criticism of poetry . " An Apology for Heroic Poetry and Heroic Licence , " though freighted with classical precedents and a more than usual amount of theoret- ical argument ...
... practice over theory . The same priority is evident in his criticism of poetry . " An Apology for Heroic Poetry and Heroic Licence , " though freighted with classical precedents and a more than usual amount of theoret- ical argument ...
Sivu xv
... practice . But on the other hand , his profoundest commitment is always and finally to a living literature and its relation to a living audience , and it is this commitment which most enriches his criticism of both the past and the ...
... practice . But on the other hand , his profoundest commitment is always and finally to a living literature and its relation to a living audience , and it is this commitment which most enriches his criticism of both the past and the ...
Sivu xvi
... practice , balanced his use of tradition , and which , in his criticism , enabled him to have the widest possible imaginative sympathy with the literature of different ages and cultures . Of Dramatic Poesy , for example , despite its ...
... practice , balanced his use of tradition , and which , in his criticism , enabled him to have the widest possible imaginative sympathy with the literature of different ages and cultures . Of Dramatic Poesy , for example , despite its ...
Sisältö
INTRODUCTION མྦ 8 སྟྲྲ སྦེ | 3 |
Preface to An Evenings Love 1671 | 90 |
Heads of an Answer to Rymer 1677 | 115 |
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acknowledge action actors admire Aeneid Ancients answer argument Aristotle audience beauties Ben Jonson betwixt blank verse Boccaccio characters Chaucer comedy compass concernment confess Corneille Corneille's Cressida Crites criticism defend delight discourse Dramatic Poesy Dryden Duke of Lerma English stage errors Essay Eugenius Euripides excellent fable fancy farther faults French genius give Greek heroic Homer honor Horace humour imagination imitation of nature John Dryden Jonson judge judgment kind language Lisideius lived Maid's Tragedy manners modern Neander never numbers observed opinion Ovid passions persons pity and terror pleased plot poem poet poet's poetica poetry preface prose prove reader reason represented rhyme ridiculous rule Rymer scene Sejanus serious plays Shakespeare Shakespeare and Fletcher Silent Woman Sir Robert Howard Sophocles speak supposed Terence theater things thoughts Tis true tragedy translated Troilus Troilus and Cressida unity Virgil virtue wholly words writ write