Modern Art: A Critical IntroductionPsychology Press, 2005 - 354 sivua Revised and restructured, this second edition of Modern Art traces the historical and contemporary contexts for understanding modern art movements, and the theories that influenced and attempted to explain them. Its radical approach foregoes the chronological approach to art movements in favour of looking at the ways in which art has been understood. The editors investigate the main developments in art interpretation and draw examples from a wide range of genres including painting, sculpture, photography, installation and performance art. This new edition has been restructured to focus on key themes. It has also been fully updated to include many more examples of recent art practice, as well as an expanded glossary and comprehensive marginal notes providing definitions of key terms. Extensively illustrated with a wide range of visual examples, Modern Art is the essential textbook for students of art history. |
Sisältö
What when and where was modernism? | 13 |
Retreats from the urban | 49 |
Monuments modernism and the public space | 75 |
The nude in modernity and postmodernity | 109 |
From the machine aesthetic to technoculture | 135 |
Modernism and realism in US art | 165 |
muse or nemesis? | 203 |
Identity politics in photography and performance art | 237 |
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
abstract art abstract expressionism abstract expressionist action painting argued art forms art gallery art history art practice art's Bauhaus body bourgeois Clement Greenberg collection colour conceptual art construction contemporary Courtesy create creativity critical critique cubism discourse display dominant Duchamp early example exhibition experience female nude feminist Figure film Fluxus formal French gender Greenberg Hans Namuth historians human idea identity images individual instance Jackson Pollock machine aesthetic Manet's Marcel Duchamp Marxist memorial modern art modern artists modern period modernism's modernist MoMA monument movement museum nature nineteenth century notion object painter painting Paris performance art photographs political Pollock postmodern production question radical realism rejection relationship representation represented Richard Pousette-Dart Robert Smithson Rosenberg Schapiro sculpture seen sense sexual Shahn social socialist realism space spiritual status structures surrealist taste theory tion traditional twentieth century unconscious utopian Venice Biennale viewer visual Western women writing York
Viitteet tähän teokseen
Learning to Teach Art and Design in the Secondary School: A Companion to ... Nicholas Addison,Lesley Burgess Esikatselu ei käytettävissä - 2007 |