The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Sivu 77
... detail . The account of Percy's rebellion in Henry IV , as has already been said , is essentially true . On the ... detail for detail with the historical events , yet for its reader , even if not for its writer , it may be radically ...
... detail . The account of Percy's rebellion in Henry IV , as has already been said , is essentially true . On the ... detail for detail with the historical events , yet for its reader , even if not for its writer , it may be radically ...
Sivu 78
... detail may be very valuable in pro- ducing the illusion of reality , as Defoe and Swift , for instance , well knew . But they selected significant detail , and so interpreted the scene into which they put Crusoe or Gulliver . Mere ...
... detail may be very valuable in pro- ducing the illusion of reality , as Defoe and Swift , for instance , well knew . But they selected significant detail , and so interpreted the scene into which they put Crusoe or Gulliver . Mere ...
Sivu 118
... detail were it not for their suggestions of heroism and sacrifice and for the hope which they carry and in which they were written of the eventual abolition of war . Were there nothing but the loathsome or the contemptible in Dick- ens ...
... detail were it not for their suggestions of heroism and sacrifice and for the hope which they carry and in which they were written of the eventual abolition of war . Were there nothing but the loathsome or the contemptible in Dick- ens ...
Sivu 132
... plays will show how each detail contributes to the central emotion , even the words of the fool or the jests of the grave - diggers . The madness of Lear , the death of Ophelia accomplish 132 THE CRITICISM OF LITERATURE.
... plays will show how each detail contributes to the central emotion , even the words of the fool or the jests of the grave - diggers . The madness of Lear , the death of Ophelia accomplish 132 THE CRITICISM OF LITERATURE.
Sivu 144
... detail here , a detail there , selected and interpreted and combined into a lifelike person , a real creation . The writer may present to his readers his own character in the form of the protagonist of his story . Or he may use some ...
... detail here , a detail there , selected and interpreted and combined into a lifelike person , a real creation . The writer may present to his readers his own character in the form of the protagonist of his story . Or he may use some ...
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling fiction free verse genius give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetic experience poetry present prose Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer
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Sivu 155 - Are those her ribs through which the Sun Did peer, as through a grate? And is that Woman all her crew? Is that a DEATH? and are there two? Is DEATH that woman's mate?
Sivu 147 - Fair daffodils, we weep to see You haste away so soon; As yet the early-rising sun Has not attained his noon. Stay, stay, Until the hasting day Has run But to the even-song; And, having prayed together, we Will go with you along.
Sivu 198 - I bring fresh showers for the thirsting flowers, From the seas and the streams; I bear light shade for the leaves when laid In their noonday dreams. From my wings are shaken the dews that waken The sweet buds every one, When rocked to rest on their mother's breast, As she dances about the sun.
Sivu 150 - Their dread commander : he, above the rest In shape and gesture proudly eminent, Stood like a tower : his form had yet not lost All her original brightness ; nor appeared Less than arch-angel ruined, and the excess Of glory obscured...
Sivu 102 - Poor vaunt of life indeed, Were man but formed to feed On joy, to solely seek and find and feast: Such feasting ended, then As sure an end to men; Irks care the crop-full bird? Frets doubt the mawcrammed beast? v Rejoice we are allied To That which doth provide And not partake, effect and not receive! A spark disturbs our clod; Nearer we hold of God Who gives, than of His tribes that take, I must believe.
Sivu 151 - That on a wild secluded scene impress Thoughts of more deep seclusion; and connect The landscape with the quiet of the sky.
Sivu 152 - Of fruits, and flowers, and bunches of knot-grass, And diamonded with panes of quaint device, Innumerable of stains and splendid dyes, As are the tiger-moth's deep-damask'd wings; And in the midst, 'mong thousand heraldries, And twilight saints, and dim emblazonings, A shielded scutcheon blush'd with blood of queens and kings.
Sivu 86 - Field once was; and how in her youth she was esteemed the best dancer — here Alice's little right foot played an involuntary movement, till upon my looking grave, it desisted — the best dancer, I was saying, in the county, till a cruel disease, called a cancer, came, and bowed her down with pain; but it could never bend her good spirits, or make them stoop, but they were still upright, because she was so good and religious.
Sivu 132 - While he from forth the closet brought a heap Of candied apple, quince, and plum, and gourd, With jellies soother than the creamy curd, And lucent syrops, tinct with cinnamon, Manna and dates, in argosy transferr'd From Fez, and spiced dainties, every one, From silken Samarcand to cedar'd Lebanon.
Sivu 352 - MANY a green isle needs must be In the deep wide sea of misery, Or the mariner, worn and wan, Never thus could voyage on Day and night, and night and day, Drifting on his dreary way, With the solid darkness black Closing round his vessel's track; Whilst above the sunless sky, Big with clouds, hangs heavily...