The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Tulokset 1 - 5 kokonaismäärästä 35
Sivu 35
... elements , choose those which he can put together into an orderly and balanced whole , which he can so reconcile as to bring about the sense of perfect poise in himself and , if his art of ex- pression is adequate , in the reader ...
... elements , choose those which he can put together into an orderly and balanced whole , which he can so reconcile as to bring about the sense of perfect poise in himself and , if his art of ex- pression is adequate , in the reader ...
Sivu 36
... elements of art that we find our solution for the dilemma . " 3 What , then , are the formal elements that aid in pre- serving the æsthetic attitude , that , in the objects con- 2 The Sense of Beauty , p . 52 . * Langfeld , The Esthetic ...
... elements of art that we find our solution for the dilemma . " 3 What , then , are the formal elements that aid in pre- serving the æsthetic attitude , that , in the objects con- 2 The Sense of Beauty , p . 52 . * Langfeld , The Esthetic ...
Sivu 39
... elements of ex- perience . . . and the beautiful object is such that it con- stitutes the permanent possibility for this reconcilia- tion . " 5 " Thus the Nature of Beauty is in the relation of means to an end ; the means , the ...
... elements of ex- perience . . . and the beautiful object is such that it con- stitutes the permanent possibility for this reconcilia- tion . " 5 " Thus the Nature of Beauty is in the relation of means to an end ; the means , the ...
Sivu 40
... elements of 7 * Ibid . , p . 56. It is evident that this discussion of beauty is eclectic . Hedonism , empathy , synæsthesis , they all contribute to the complete understanding of beauty . I have endeavored to make the discussion as ...
... elements of 7 * Ibid . , p . 56. It is evident that this discussion of beauty is eclectic . Hedonism , empathy , synæsthesis , they all contribute to the complete understanding of beauty . I have endeavored to make the discussion as ...
Sivu 41
... elements of his experience he arranges and balances , and he constructs out of them an artistic whole that shall , by its very structure , have a certain power over the imagination of the reader . Finally , by his imagination he may ...
... elements of his experience he arranges and balances , and he constructs out of them an artistic whole that shall , by its very structure , have a certain power over the imagination of the reader . Finally , by his imagination he may ...
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling fiction free verse genius give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetic experience poetry present prose Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer
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Sivu 155 - Are those her ribs through which the Sun Did peer, as through a grate? And is that Woman all her crew? Is that a DEATH? and are there two? Is DEATH that woman's mate?
Sivu 147 - Fair daffodils, we weep to see You haste away so soon; As yet the early-rising sun Has not attained his noon. Stay, stay, Until the hasting day Has run But to the even-song; And, having prayed together, we Will go with you along.
Sivu 198 - I bring fresh showers for the thirsting flowers, From the seas and the streams; I bear light shade for the leaves when laid In their noonday dreams. From my wings are shaken the dews that waken The sweet buds every one, When rocked to rest on their mother's breast, As she dances about the sun.
Sivu 150 - Their dread commander : he, above the rest In shape and gesture proudly eminent, Stood like a tower : his form had yet not lost All her original brightness ; nor appeared Less than arch-angel ruined, and the excess Of glory obscured...
Sivu 102 - Poor vaunt of life indeed, Were man but formed to feed On joy, to solely seek and find and feast: Such feasting ended, then As sure an end to men; Irks care the crop-full bird? Frets doubt the mawcrammed beast? v Rejoice we are allied To That which doth provide And not partake, effect and not receive! A spark disturbs our clod; Nearer we hold of God Who gives, than of His tribes that take, I must believe.
Sivu 151 - That on a wild secluded scene impress Thoughts of more deep seclusion; and connect The landscape with the quiet of the sky.
Sivu 152 - Of fruits, and flowers, and bunches of knot-grass, And diamonded with panes of quaint device, Innumerable of stains and splendid dyes, As are the tiger-moth's deep-damask'd wings; And in the midst, 'mong thousand heraldries, And twilight saints, and dim emblazonings, A shielded scutcheon blush'd with blood of queens and kings.
Sivu 86 - Field once was; and how in her youth she was esteemed the best dancer — here Alice's little right foot played an involuntary movement, till upon my looking grave, it desisted — the best dancer, I was saying, in the county, till a cruel disease, called a cancer, came, and bowed her down with pain; but it could never bend her good spirits, or make them stoop, but they were still upright, because she was so good and religious.
Sivu 132 - While he from forth the closet brought a heap Of candied apple, quince, and plum, and gourd, With jellies soother than the creamy curd, And lucent syrops, tinct with cinnamon, Manna and dates, in argosy transferr'd From Fez, and spiced dainties, every one, From silken Samarcand to cedar'd Lebanon.
Sivu 352 - MANY a green isle needs must be In the deep wide sea of misery, Or the mariner, worn and wan, Never thus could voyage on Day and night, and night and day, Drifting on his dreary way, With the solid darkness black Closing round his vessel's track; Whilst above the sunless sky, Big with clouds, hangs heavily...