The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Sivu 48
... merely have intellectual , ethical , and emo- tional value , but also have those values for everyone ? The obvious answer to such a question is that there are degrees of greatness in literature and that those degrees depend partly on ...
... merely have intellectual , ethical , and emo- tional value , but also have those values for everyone ? The obvious answer to such a question is that there are degrees of greatness in literature and that those degrees depend partly on ...
Sivu 105
... merely external , merely a matter of form , if it appealed merely to the physical senses , it might be regarded as free of ethical significance . Those artists who have so re- garded it have come nearest to Mr. Spingarn's idea of ...
... merely external , merely a matter of form , if it appealed merely to the physical senses , it might be regarded as free of ethical significance . Those artists who have so re- garded it have come nearest to Mr. Spingarn's idea of ...
Sivu 168
... merely episodic , with neither probability nor necessity in the sequence of events , the worst possible kind of plot . Or it may be involved , consisting of the contrivance of a change of fortune attended by a reversal of situation or ...
... merely episodic , with neither probability nor necessity in the sequence of events , the worst possible kind of plot . Or it may be involved , consisting of the contrivance of a change of fortune attended by a reversal of situation or ...
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling fiction free verse genius give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetic experience poetry present prose Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer