The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Tulokset 1 - 5 kokonaismäärästä 37
Sivu 8
... objects of his study , rather than to praise or blame them , . . . to identify the species and then ex- plain how and where the specimen is imperfect and irregular . " But this process is merely that of pasting labels . Even the ...
... objects of his study , rather than to praise or blame them , . . . to identify the species and then ex- plain how and where the specimen is imperfect and irregular . " But this process is merely that of pasting labels . Even the ...
Sivu 11
... object , unless the book is utterly bad . Coleridge has a sage word on this subject : " To the young I would re- mark that it is always unwise to judge of anything by its defects : the first attempt ought to be to discover its ...
... object , unless the book is utterly bad . Coleridge has a sage word on this subject : " To the young I would re- mark that it is always unwise to judge of anything by its defects : the first attempt ought to be to discover its ...
Sivu 35
... object , regardless of its effect upon the beholder or the hearer ; others think it is the effect of the object . Whichever way we regard it , the ultimate problem is the same . We use the adjective beautiful for various things : for ...
... object , regardless of its effect upon the beholder or the hearer ; others think it is the effect of the object . Whichever way we regard it , the ultimate problem is the same . We use the adjective beautiful for various things : for ...
Sivu 36
... object that is too close to our daily activities , we do not call that object beautiful . Hence we often find in realism interest but not beauty . But , as has been said , " The experienced art lover is able to keep his [ æsthetic ] ...
... object that is too close to our daily activities , we do not call that object beautiful . Hence we often find in realism interest but not beauty . But , as has been said , " The experienced art lover is able to keep his [ æsthetic ] ...
Sivu 39
... object is such that it con- stitutes the permanent possibility for this reconcilia- tion . " 5 " Thus the Nature of Beauty is in the relation of means to an end ; the means , the possibilities of stimula- tion in the motor , visual ...
... object is such that it con- stitutes the permanent possibility for this reconcilia- tion . " 5 " Thus the Nature of Beauty is in the relation of means to an end ; the means , the possibilities of stimula- tion in the motor , visual ...
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling fiction free verse genius give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetic experience poetry present prose Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer
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Sivu 155 - Are those her ribs through which the Sun Did peer, as through a grate? And is that Woman all her crew? Is that a DEATH? and are there two? Is DEATH that woman's mate?
Sivu 147 - Fair daffodils, we weep to see You haste away so soon; As yet the early-rising sun Has not attained his noon. Stay, stay, Until the hasting day Has run But to the even-song; And, having prayed together, we Will go with you along.
Sivu 198 - I bring fresh showers for the thirsting flowers, From the seas and the streams; I bear light shade for the leaves when laid In their noonday dreams. From my wings are shaken the dews that waken The sweet buds every one, When rocked to rest on their mother's breast, As she dances about the sun.
Sivu 150 - Their dread commander : he, above the rest In shape and gesture proudly eminent, Stood like a tower : his form had yet not lost All her original brightness ; nor appeared Less than arch-angel ruined, and the excess Of glory obscured...
Sivu 102 - Poor vaunt of life indeed, Were man but formed to feed On joy, to solely seek and find and feast: Such feasting ended, then As sure an end to men; Irks care the crop-full bird? Frets doubt the mawcrammed beast? v Rejoice we are allied To That which doth provide And not partake, effect and not receive! A spark disturbs our clod; Nearer we hold of God Who gives, than of His tribes that take, I must believe.
Sivu 151 - That on a wild secluded scene impress Thoughts of more deep seclusion; and connect The landscape with the quiet of the sky.
Sivu 152 - Of fruits, and flowers, and bunches of knot-grass, And diamonded with panes of quaint device, Innumerable of stains and splendid dyes, As are the tiger-moth's deep-damask'd wings; And in the midst, 'mong thousand heraldries, And twilight saints, and dim emblazonings, A shielded scutcheon blush'd with blood of queens and kings.
Sivu 86 - Field once was; and how in her youth she was esteemed the best dancer — here Alice's little right foot played an involuntary movement, till upon my looking grave, it desisted — the best dancer, I was saying, in the county, till a cruel disease, called a cancer, came, and bowed her down with pain; but it could never bend her good spirits, or make them stoop, but they were still upright, because she was so good and religious.
Sivu 132 - While he from forth the closet brought a heap Of candied apple, quince, and plum, and gourd, With jellies soother than the creamy curd, And lucent syrops, tinct with cinnamon, Manna and dates, in argosy transferr'd From Fez, and spiced dainties, every one, From silken Samarcand to cedar'd Lebanon.
Sivu 352 - MANY a green isle needs must be In the deep wide sea of misery, Or the mariner, worn and wan, Never thus could voyage on Day and night, and night and day, Drifting on his dreary way, With the solid darkness black Closing round his vessel's track; Whilst above the sunless sky, Big with clouds, hangs heavily...