The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Tulokset 1 - 5 kokonaismäärästä 22
Sivu 2
... unity of time , which had their real origin in theory . So , by the time of the Renaissance and during it , we find a large body of dogmatic theory controlling or attempting to control both creation and criticism . That theory was , of ...
... unity of time , which had their real origin in theory . So , by the time of the Renaissance and during it , we find a large body of dogmatic theory controlling or attempting to control both creation and criticism . That theory was , of ...
Sivu 35
... unity , harmony , and balance . " Great wits , " said Dryden , " are sure to madness near allied . " Perhaps , in the over - devel- opment of certain of their powers and sensibilities , they are , but in this very important respect of ...
... unity , harmony , and balance . " Great wits , " said Dryden , " are sure to madness near allied . " Perhaps , in the over - devel- opment of certain of their powers and sensibilities , they are , but in this very important respect of ...
Sivu 39
... unity in the physical and spiritual universe . But he must have realized also that the sound of the line , with its assonances and alliter- ation , is balanced and harmonious , that the simplicity and dignity of the words are harmonious ...
... unity in the physical and spiritual universe . But he must have realized also that the sound of the line , with its assonances and alliter- ation , is balanced and harmonious , that the simplicity and dignity of the words are harmonious ...
Sivu 69
... unity to the plot . The fusion of the two Mor- timers concentrates in one figure the motives for oppo- sition to King Henry and allegiance to the rebels . By making Hotspur coeval with Prince Hal rather than the King he places him , as ...
... unity to the plot . The fusion of the two Mor- timers concentrates in one figure the motives for oppo- sition to King Henry and allegiance to the rebels . By making Hotspur coeval with Prince Hal rather than the King he places him , as ...
Sivu 129
... unity of effect , for in almost every case the comic heightens the effect of the tragic , and throughout the play all the variety of emotional appeal is made to con- verge upon the central emotion , that feeling which gives it its tone ...
... unity of effect , for in almost every case the comic heightens the effect of the tragic , and throughout the play all the variety of emotional appeal is made to con- verge upon the central emotion , that feeling which gives it its tone ...
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling fiction free verse genius give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetic experience poetry present prose Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer
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Sivu 155 - Are those her ribs through which the Sun Did peer, as through a grate? And is that Woman all her crew? Is that a DEATH? and are there two? Is DEATH that woman's mate?
Sivu 147 - Fair daffodils, we weep to see You haste away so soon; As yet the early-rising sun Has not attained his noon. Stay, stay, Until the hasting day Has run But to the even-song; And, having prayed together, we Will go with you along.
Sivu 198 - I bring fresh showers for the thirsting flowers, From the seas and the streams; I bear light shade for the leaves when laid In their noonday dreams. From my wings are shaken the dews that waken The sweet buds every one, When rocked to rest on their mother's breast, As she dances about the sun.
Sivu 150 - Their dread commander : he, above the rest In shape and gesture proudly eminent, Stood like a tower : his form had yet not lost All her original brightness ; nor appeared Less than arch-angel ruined, and the excess Of glory obscured...
Sivu 102 - Poor vaunt of life indeed, Were man but formed to feed On joy, to solely seek and find and feast: Such feasting ended, then As sure an end to men; Irks care the crop-full bird? Frets doubt the mawcrammed beast? v Rejoice we are allied To That which doth provide And not partake, effect and not receive! A spark disturbs our clod; Nearer we hold of God Who gives, than of His tribes that take, I must believe.
Sivu 151 - That on a wild secluded scene impress Thoughts of more deep seclusion; and connect The landscape with the quiet of the sky.
Sivu 152 - Of fruits, and flowers, and bunches of knot-grass, And diamonded with panes of quaint device, Innumerable of stains and splendid dyes, As are the tiger-moth's deep-damask'd wings; And in the midst, 'mong thousand heraldries, And twilight saints, and dim emblazonings, A shielded scutcheon blush'd with blood of queens and kings.
Sivu 86 - Field once was; and how in her youth she was esteemed the best dancer — here Alice's little right foot played an involuntary movement, till upon my looking grave, it desisted — the best dancer, I was saying, in the county, till a cruel disease, called a cancer, came, and bowed her down with pain; but it could never bend her good spirits, or make them stoop, but they were still upright, because she was so good and religious.
Sivu 132 - While he from forth the closet brought a heap Of candied apple, quince, and plum, and gourd, With jellies soother than the creamy curd, And lucent syrops, tinct with cinnamon, Manna and dates, in argosy transferr'd From Fez, and spiced dainties, every one, From silken Samarcand to cedar'd Lebanon.
Sivu 352 - MANY a green isle needs must be In the deep wide sea of misery, Or the mariner, worn and wan, Never thus could voyage on Day and night, and night and day, Drifting on his dreary way, With the solid darkness black Closing round his vessel's track; Whilst above the sunless sky, Big with clouds, hangs heavily...