The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
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Sivu 1
... usually , as the name suggests , poetry , for prose as an art form was of comparatively late development ; second , to construct rules for the composition of epic , tragedy , and comedy . By implica- tion , of course , standards are set ...
... usually , as the name suggests , poetry , for prose as an art form was of comparatively late development ; second , to construct rules for the composition of epic , tragedy , and comedy . By implica- tion , of course , standards are set ...
Sivu 89
... usually to the groundlings , to those whose sense of humor is limited to the apprecia- tion of merely physical incongruity . It is usually vulgar and vulgarizing . But humor of a higher type , the humor of great characters like Falstaff ...
... usually to the groundlings , to those whose sense of humor is limited to the apprecia- tion of merely physical incongruity . It is usually vulgar and vulgarizing . But humor of a higher type , the humor of great characters like Falstaff ...
Sivu 127
... usually the emotional response of the reader ; if that is sincere and strong and valid , if we are moved without ... Usually he feels strongly with his char- acters ; usually too he is in sympathy with his readers . We , like Byron ...
... usually the emotional response of the reader ; if that is sincere and strong and valid , if we are moved without ... Usually he feels strongly with his char- acters ; usually too he is in sympathy with his readers . We , like Byron ...
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A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay ethical expression fact familiar feeling fiction free verse genius give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetic experience poetry present prose Psychology of Beauty purpose reader realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity Vanity Fair verse vision whole words Wordsworth writer