Th' adorning thee with so much art Is but a barb'rous skill; 'Tis like the poisoning of a dart, Too apt before to kill. The Waiting Maid. Nothing is there to come, and nothing past, But an eternal now does always last.1 The monster London.. Davideis. Vol. i. Book i. Let but thy wicked men from out thee go, Of Solitude. God the first garden made, and the first city Cain.2 The Garden. Essay v. Hence ye profane, I hate ye all, Both the great vulgar and the small. Horace. Book iii. Ode 1. Charm'd with the foolish whistling of a name.3 Words that weep and tears that speak.1 The Prophet. One of our poets (which is it?) speaks of an everlasting now. Southey, The Doctor, Ch. xxv. p. 1. 2 Compare Bacon, Of Gardens. 3 Ravish'd with the whistling of a name. Pope, Essay on Man, Ep. iv. Line 283. 4 Thoughts that breathe, and words that burn. Gray, The Progress of Poesy, iii. 3, 4. EDMUND WALLER. 1605 - 1687. The soul's dark cottage, battered and decayed,1 Verses upon his Divine Poesy. A narrow compass! and yet there Dwelt all that 's good, and all that 's fair: Give me but what this riband bound, Take all the rest the sun goes round. Go, lovely rose ! On a Girdle. Tell her that wastes her time and me When I resemble her to thee, How sweet and fair she seems to be. Go, lovely Rose. How small a part of time they share For all we know Ibid. Panegyric on Cromwell. Of what the blessed do above Is, that they sing and that they love. While I listen to thy voice The yielding marble of her snowy breast. On a Lady passing through a Crowd of People. 1 See Fuller, The Holy and the Profane State, i. ii 180 Waller. - Montrose. Poets lose half the praise they should have got, Could it be known what they discreetly blot. Upon Roscommon's Trans. of Horace, De Arte Poetica. Could we forbear dispute, and practise love, We should agree as angels do above. That eagle's fate and mine are one, Wherewith he wont to soar so high.1 To a Lady singing a Song of his Composing. MARQUIS OF MONTROSE. 1612-1650. He either fears his fate too much, 1 So in the Libyan fable it is told That once an eagle, stricken with a dart, Æschylus, Fragm. 123, Plumptre's Translation. That dares not put it to the touch To gain or lose it all. My Dear and only Love. I'll make thee glorious by my pen, And famous by my sword. Ibid. SIR THOMAS BROWNE. 1605-1682. Too rashly charged the troops of error and remain as trophies unto the enemies of truth. Religio Medici. Parti. Sec. vi. Rich with the spoils of nature.2 Ibid. Part i. Sec. xiii. Nature is the art of God." Ibid. Sec. xvi. There is music in the beauty, and the silent note which Cupid strikes, far sweeter than the sound of an instrument. Ibid. Part ii. Sec. ix. Sleep is a death; O make me try On my grave as now my bed Ibid. Part ii. Sec. 12. Ruat cœlum, fiat voluntas tua.* Ibid. Man is a noble animal, splendid in ashes and pompous in the grave. Urn-Burial. Ch. v. 1 From Napier's Mem. of Montrose, Vol. i. App. xxxiv. That puts it not unto the touch, To win or lose it all. From Napier's Montrose and the Covenanters, Vol. ii. 2 Rich with the spoils of time. - Gray, Elegy, St. 13. 3 See Young, Night Thoughts, ix. Line 1267. 4 Do well and right, and let the world sink. Herbert, Country Parson, Ch. 29. JOHN MILTON. 1608-1674. PARADISE LOST. Of Man's first disobedience and the fruit Book i. Line 1. Or if Sion hill Delight thee more, and Siloa's brook, that flowed Fast by the oracle of God. Line 10. Things unattempted yet in prose or rhyme. What in me is dark Line 16. Illumine, what is low raise and support; That to the height of this great argument And justify the ways of God to men.1 Line 22. As far as Angel's ken. Line 59. Yet from those flames No light, but rather darkness visible. Line 62. Where peace And rest can never dwell, hope never comes, That comes to all. Line 65. What though the field be lost? All is not lost; th' unconquerable will, And study of revenge, immortal hate, And courage never to submit or yield. Line 105. 1 But vindicate the ways of God to man. Pope, Essay on Man, Ep. i. Line 16. |