And with Asphaltic flime, broad as the gate, Callimachus in his hymn call'd Delos has given a most inchanting defcription of this matter. Richardfon. 296. the reft his look &c.] In Milton's own editions the paffage was thus. the reft his look Bound with Gorgonian rigor not to move, And with Asphaltic flime; broad Deep to the roots of Hell the ga- A difficult paffage, which Dr. Bent- As Delos now, once floting: then his look The fabric with Gorgonian pow'r faft bound, As with Afphaltic flime. Broad as the gate, &c. But he did not observe, that Milton by the words the reft meant thofe fubftances, which were not folid or foil, but were foft and flimy. ver. 286. And Death is here defcribed as not binding faft the fabric (the foundation of that was yet but lay ing) but as hardening the foft and Of flimy fubftances, and fixing them rigidâ cum Gorgone Perfeus. Again, the Doctor objects to And Milton. But then I think the Doctor's change of And into As does not fufficiently mend the paffage; for does it not leffen the thought to fay, that it was bound with Gorgonian pow'r as with flime? even Afpower, which fable fuppofes the phaltic flime had not that binding Gorgon's look to have had. Thus I can fee that neither the common reading nor the Doctor's are free from great exceptions There is only one way (I think) in which all thefe difficulties are to be got over, and that is by changing two of the Of length prodigious, joining to the wall Forfeit to Death; from hence a paffage broad, ther'd beach They faften'd, The first part of the paffage, ending at move, I underftand as relating only to the hardening the foft and flimy fubftances: and all the reft feems to relate to the faft'ning the foundation with Afphaltic flime to the roots of Hell. I may be mistaken in my conjecture; but this reading (methinks) bids fairer for the true one, than either of the other two. Pearce. It appears that by the reft we are to understand the flimy parts, as diftinguifh'd from the folid or foil: and it would be very abfurd to say, that his look bound the flimy parts with Afphaltic flime or as with Af phaltic flime. It is much eafier to fuppofe with Mr. Richardson that the comma after move and the femicolon after flime have changed places, and that the paffage fhould be read thus 305 Xerxes, to move; And with Asphaltic flime, broad as the gate, Deep to the roots of Hell &c. The fenfe is then the very fame as in the foregoing moft excellent remark of Dr. Pearce's, and we venture to print it accordingly. We generally follow carefully Milton's own punctuation; but though he was extremely accurate, yet he was not always infallible. A falfe pointing may now and then efcape the molt correct writer and printer in the world. 304. - from bence a passage broad, Smooth, caly, inoffenfive down to Hell] Alluding perhaps to Virgil, En. VI. 126. facilis defcenfus Averni: Or to the paths of wickedness, Heliod. Fp. I. 285. Την μεν της κακοτητα και λαδο εςιν ελέθαι Ρηϊδίως ολίγη [1] μεν Θ, Mada segulsvare Jortin. 306. So Xerxes &c.] This fimile is very exact and beautiful. As Sin and Xerxes, the liberty of Greece to yoke, From Sufa his Memnonian palace high 310 Now had they brought the work by wondrous art Pontifical, a ridge of pendent rock, Over the vex'd abyfs, following the track Of Satan to the self fame place where he and Death built a bridge over Chaos to fubdue and inflave mankind: So if great things to fmall may be compar'd, Si parva licet componere magnis, as Virgil fays, Georg. IV. 176. Xerxes, the Perfian monarch, to bring the free ftates of Greece under his yoke, came from Sufa, the chief city of Sufiana a province of Perfia, the refidence of the Perfian Monarchs, called Memnonia by Herodotus, of Memnon who built it and reigned there; and over Hel lefpont bridging his way, and building a bridge over Hellefpont, the narrow fea by Conftantinople, that divides Europe from Afia, to march his large army over it, Europe with Afia join'd, and fcourg'd with many a firoke th' indignant waves; alluding particularly to Xerxes his madnefs in ordering the fea to be whipt for the lofs of fome of his fhips; indignant waves, corning and raging 315 by wondrous art Pontifical,] By the frange art of raifing bridges. Pontifex, the high priest of the Romans, had that name from pans a bridge and facere to make: Quia fublicius pons a From out of Chaos, to the outside bare Of this round world: with pins of adamant The confines met of empyréan Heaven 320 And of this World, and on the left hand Hell Satan in likeness of an Angel bright Betwixt the Centaur and the Scorpion steering His zenith, while the fun in Aries rofe: Difguis'd he came, but those his children dear 330 Into the wood faft by, and changing fhape The prefent, fearing guilty what his wrath 335 340 Might this round world, from whence he had come down, ver. 317. Befides the Doctor instead of rofe reads rode: but it was evening, when Meffiah came and pafs'd the fentence on the tranfgreffors, ver. 92. and after that Sin and Death made the bridge; fo that the fun might be rifing in Aries, when they met Satan fteering his zenith. And this is confirm'd by what follows here in ver. 341_ &c. Pearce. Satan to avoid being difcover'd (as he had been before, IV. 569. &c.) by Uriel regent of the fun, takes care to keep at as great a distance as poffible, and therefore while the Jun |