English Literary Criticism: Restoration and 18th CenturyAppleton-Century-Crofts, 1963 - 322 sivua |
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Tulokset 1 - 3 kokonaismäärästä 94
Sivu 12
... Play , but two : not but that there may be many actions in a Play , as Ben . Johnson has observ'd in his discoveries ; but they must be all subservient to the great one , which our language happily ex- presses in the name of under ...
... Play , but two : not but that there may be many actions in a Play , as Ben . Johnson has observ'd in his discoveries ; but they must be all subservient to the great one , which our language happily ex- presses in the name of under ...
Sivu 15
... Play grows warmer : the design or action of it is drawing on , and you see something promising that it will come to ... Play once remov'd , it ends with that resemblance of truth and nature , that the audience are satisfied with the ...
... Play grows warmer : the design or action of it is drawing on , and you see something promising that it will come to ... Play once remov'd , it ends with that resemblance of truth and nature , that the audience are satisfied with the ...
Sivu 117
Restoration and 18th Century Samuel Hynes. their Roughness be needs play'd upon Title ? And can't they lash the Vice without pointing upon the Quality ? If , as Mr. Dryden rightly defines it , a Play ought to be a just Image of Humane ...
Restoration and 18th Century Samuel Hynes. their Roughness be needs play'd upon Title ? And can't they lash the Vice without pointing upon the Quality ? If , as Mr. Dryden rightly defines it , a Play ought to be a just Image of Humane ...
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action admiration Aeneid affected Ancients appear Aristotle Audience Author beauty Ben Johnson blank verse Character Chaucer Comedy common Crites critical delight Discourse Dryden endeavour English entertainment essays Eugenius excellent fancy farther faults fiction French G. A. Aitken genius give hath Homer Horace human Humour idea images imagination imitation Jeremy Collier John Dryden Johnson judge judgment kind Lady Language learning Lisideius Lord Foplington Love mankind manner matter mind modern moral nature neo-classical never numbers objects observ'd observed opinion Ovid pain painter painting Paradise Lost passions pastoral perfect perhaps persons Plautus Play Playes pleasure Plot poem Poesie Poet poetry praise principles Provok'd Wife reader reason Rhyme ridiculous rules Scene sense sentiments shew Silent Woman speak Stage sublime taste Theocritus things thought tion tragedy true truth Vice Virgil virtue Walter Jackson Bate words writ writing