English Literary Criticism: Restoration and 18th CenturyAppleton-Century-Crofts, 1963 - 322 sivua |
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Tulokset 1 - 3 kokonaismäärästä 56
Sivu 11
... Scene ought to be continu'd through the Play , in the same place where it was laid in the beginning : for the Stage on which it is represented , being but one and the same place , it is unnatural to conceive it many , and those far ...
... Scene ought to be continu'd through the Play , in the same place where it was laid in the beginning : for the Stage on which it is represented , being but one and the same place , it is unnatural to conceive it many , and those far ...
Sivu 22
... Scene in the Troades , where Ulysses is seeking for Astyanax to kill him ; There you see the tenderness of a Mother , so represented in Andromache , that it raises compassion to a high degree in the Reader , and bears the nearest ...
... Scene in the Troades , where Ulysses is seeking for Astyanax to kill him ; There you see the tenderness of a Mother , so represented in Andromache , that it raises compassion to a high degree in the Reader , and bears the nearest ...
Sivu 39
... Scenes , they are forc'd many times to omit some beauties which cannot be shown where the Act began ; but might , if the Scene were inter- rupted , and the Stage clear'd for the persons to enter in another place ; and therefore the ...
... Scenes , they are forc'd many times to omit some beauties which cannot be shown where the Act began ; but might , if the Scene were inter- rupted , and the Stage clear'd for the persons to enter in another place ; and therefore the ...
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action admiration Aeneid affected Ancients appear Aristotle Audience Author beauty Ben Johnson blank verse Character Chaucer Comedy common Crites critical delight Discourse Dryden endeavour English entertainment essays Eugenius excellent fancy farther faults fiction French G. A. Aitken genius give hath Homer Horace human Humour idea images imagination imitation Jeremy Collier John Dryden Johnson judge judgment kind Lady Language learning Lisideius Lord Foplington Love mankind manner matter mind modern moral nature neo-classical never numbers objects observ'd observed opinion Ovid pain painter painting Paradise Lost passions pastoral perfect perhaps persons Plautus Play Playes pleasure Plot poem Poesie Poet poetry praise principles Provok'd Wife reader reason Rhyme ridiculous rules Scene sense sentiments shew Silent Woman speak Stage sublime taste Theocritus things thought tion tragedy true truth Vice Virgil virtue Walter Jackson Bate words writ writing