English Literary Criticism: Restoration and 18th CenturyAppleton-Century-Crofts, 1963 - 322 sivua |
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Tulokset 1 - 3 kokonaismäärästä 28
Sivu 124
... expression agrees neither with the Gentlemans Figure , nor with the rest of his Be- haviour . I find we should have a Creditable Magistracy , if the Relapser had the Making them . Here the Characters are pinch'd in Sense , and stinted ...
... expression agrees neither with the Gentlemans Figure , nor with the rest of his Be- haviour . I find we should have a Creditable Magistracy , if the Relapser had the Making them . Here the Characters are pinch'd in Sense , and stinted ...
Sivu 154
... expression is sometimes not concise enough : for the Tetrastic has obliged him to extend his sense to the length of four lines , which would have been more closely confined in the Couplet . In the manners , thoughts , and characters ...
... expression is sometimes not concise enough : for the Tetrastic has obliged him to extend his sense to the length of four lines , which would have been more closely confined in the Couplet . In the manners , thoughts , and characters ...
Sivu 267
... expression , and beauty of oratorial numbers , diffuse the highest satisfaction on the au- dience , and excite the most delightful movements . By this means , the uneasiness of the melancholy passions is not only over- powered and ...
... expression , and beauty of oratorial numbers , diffuse the highest satisfaction on the au- dience , and excite the most delightful movements . By this means , the uneasiness of the melancholy passions is not only over- powered and ...
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action admiration Aeneid affected Ancients appear Aristotle Audience Author beauty Ben Johnson blank verse Character Chaucer Comedy common Crites critical delight Discourse Dryden endeavour English entertainment essays Eugenius excellent fancy farther faults fiction French G. A. Aitken genius give hath Homer Horace human Humour idea images imagination imitation Jeremy Collier John Dryden Johnson judge judgment kind Lady Language learning Lisideius Lord Foplington Love mankind manner matter mind modern moral nature neo-classical never numbers objects observ'd observed opinion Ovid pain painter painting Paradise Lost passions pastoral perfect perhaps persons Plautus Play Playes pleasure Plot poem Poesie Poet poetry praise principles Provok'd Wife reader reason Rhyme ridiculous rules Scene sense sentiments shew Silent Woman speak Stage sublime taste Theocritus things thought tion tragedy true truth Vice Virgil virtue Walter Jackson Bate words writ writing