English Literary Criticism: Restoration and 18th CenturyAppleton-Century-Crofts, 1963 - 322 sivua |
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Sivu 163
... less commit : Neglect the rules each verbal Critic lays , For not to know some trifles , is a praise . Most Critics , fond of some subservient art , Still make the Whole depend upon a Part : They talk of principles , but notions prize ...
... less commit : Neglect the rules each verbal Critic lays , For not to know some trifles , is a praise . Most Critics , fond of some subservient art , Still make the Whole depend upon a Part : They talk of principles , but notions prize ...
Sivu 275
Restoration and 18th Century Samuel Hynes. The Moderns are not less convinced than the Ancients of this superior power existing in the art ; nor less sensible of its ef- fects . Every language has adopted terms expressive of this ex ...
Restoration and 18th Century Samuel Hynes. The Moderns are not less convinced than the Ancients of this superior power existing in the art ; nor less sensible of its ef- fects . Every language has adopted terms expressive of this ex ...
Sivu 300
... less adapted to any other audience or place . Neither can it well be defended as a fiction ; for the introduction of a god seems to imply the golden age , and yet he alludes to many subsequent transactions , and mentions Gallus the ...
... less adapted to any other audience or place . Neither can it well be defended as a fiction ; for the introduction of a god seems to imply the golden age , and yet he alludes to many subsequent transactions , and mentions Gallus the ...
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action admiration Aeneid affected Ancients appear Aristotle Audience Author beauty Ben Johnson blank verse Character Chaucer Comedy common Crites critical delight Discourse Dryden endeavour English entertainment essays Eugenius excellent fancy farther faults fiction French G. A. Aitken genius give hath Homer Horace human Humour idea images imagination imitation Jeremy Collier John Dryden Johnson judge judgment kind Lady Language learning Lisideius Lord Foplington Love mankind manner matter mind modern moral nature neo-classical never numbers objects observ'd observed opinion Ovid pain painter painting Paradise Lost passions pastoral perfect perhaps persons Plautus Play Playes pleasure Plot poem Poesie Poet poetry praise principles Provok'd Wife reader reason Rhyme ridiculous rules Scene sense sentiments shew Silent Woman speak Stage sublime taste Theocritus things thought tion tragedy true truth Vice Virgil virtue Walter Jackson Bate words writ writing