English Literary Criticism: Restoration and 18th CenturyAppleton-Century-Crofts, 1963 - 322 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 36
Sivu 78
... necessary , or not of Dignity enough to appear in the Company of better Thoughts . I have presum'd farther in some Places , and added somewhat of my own where I thought my Author was deficient , and had not given his Thoughts their true ...
... necessary , or not of Dignity enough to appear in the Company of better Thoughts . I have presum'd farther in some Places , and added somewhat of my own where I thought my Author was deficient , and had not given his Thoughts their true ...
Sivu 209
... necessary to this kind of writing , of which we have set ourselves at the head . For this our determination we do not hold ourselves strictly bound to assign any reason ; it being abundantly sufficient that we have laid it down as a ...
... necessary to this kind of writing , of which we have set ourselves at the head . For this our determination we do not hold ourselves strictly bound to assign any reason ; it being abundantly sufficient that we have laid it down as a ...
Sivu 224
... necessary to prove that tools are of no service to a work- man , when they are not sharpened by art , or when he wants rules to direct him in his work , or hath no matter to work upon . All these uses are supplied by learning ; for ...
... necessary to prove that tools are of no service to a work- man , when they are not sharpened by art , or when he wants rules to direct him in his work , or hath no matter to work upon . All these uses are supplied by learning ; for ...
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
action admiration Aeneid affected Ancients appear Aristotle Audience Author beauty Ben Johnson blank verse Character Chaucer Comedy common Crites critical delight Discourse Dryden endeavour English entertainment essays Eugenius excellent fancy farther faults fiction French G. A. Aitken genius give hath Homer Horace human Humour idea images imagination imitation Jeremy Collier John Dryden Johnson judge judgment kind Lady Language learning Lisideius Lord Foplington Love mankind manner matter mind modern moral nature neo-classical never numbers objects observ'd observed opinion Ovid pain painter painting Paradise Lost passions pastoral perfect perhaps persons Plautus Play Playes pleasure Plot poem Poesie Poet poetry praise principles Provok'd Wife reader reason Rhyme ridiculous rules Scene sense sentiments shew Silent Woman speak Stage sublime taste Theocritus things thought tion tragedy true truth Vice Virgil virtue Walter Jackson Bate words writ writing