English Literary Criticism: Restoration and 18th CenturyAppleton-Century-Crofts, 1963 - 322 sivua |
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Sivu 245
... pains which every object excites in one man , it must raise in all mankind , whilst it operates naturally , simply ... pain . They all concur in call- ing sweetness pleasant , and sourness and bitterness unpleasant . Here there is no ...
... pains which every object excites in one man , it must raise in all mankind , whilst it operates naturally , simply ... pain . They all concur in call- ing sweetness pleasant , and sourness and bitterness unpleasant . Here there is no ...
Sivu 258
Restoration and 18th Century Samuel Hynes. erally makes pain itself , if I may say so , more painful , is , that it is considered as an emissary of this king of terrors . When danger or pain press too nearly , they are incapable of ...
Restoration and 18th Century Samuel Hynes. erally makes pain itself , if I may say so , more painful , is , that it is considered as an emissary of this king of terrors . When danger or pain press too nearly , they are incapable of ...
Sivu 270
... pain and affliction of the sufferer . Who could ever think of it as a good expedient for comfort- ing an afflicted parent , to exaggerate , with all the force of ora- tory , the irreparable loss , which he has met with by the death of a ...
... pain and affliction of the sufferer . Who could ever think of it as a good expedient for comfort- ing an afflicted parent , to exaggerate , with all the force of ora- tory , the irreparable loss , which he has met with by the death of a ...
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action admiration Aeneid affected Ancients appear Aristotle Audience Author beauty Ben Johnson blank verse Character Chaucer Comedy common Crites critical delight Discourse Dryden endeavour English entertainment essays Eugenius excellent fancy farther faults fiction French G. A. Aitken genius give hath Homer Horace human Humour idea images imagination imitation Jeremy Collier John Dryden Johnson judge judgment kind Lady Language learning Lisideius Lord Foplington Love mankind manner matter mind modern moral nature neo-classical never numbers objects observ'd observed opinion Ovid pain painter painting Paradise Lost passions pastoral perfect perhaps persons Plautus Play Playes pleasure Plot poem Poesie Poet poetry praise principles Provok'd Wife reader reason Rhyme ridiculous rules Scene sense sentiments shew Silent Woman speak Stage sublime taste Theocritus things thought tion tragedy true truth Vice Virgil virtue Walter Jackson Bate words writ writing