English Literary Criticism: Restoration and 18th CenturyAppleton-Century-Crofts, 1963 - 322 sivua |
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Sivu 29
... represented on the Stage , if to the well - writing of them the Actor supplies a good commanded voice , and limbs that move easily , and with- out stiffness ; but there are many actions which can never be imitated to a just height ...
... represented on the Stage , if to the well - writing of them the Actor supplies a good commanded voice , and limbs that move easily , and with- out stiffness ; but there are many actions which can never be imitated to a just height ...
Sivu 46
... represented , most frequently begets that malicious pleasure in the Audience which is testified by laughter ; as all things which are deviations from customes are ever the aptest to produce it : though by the way this laughter is only ...
... represented , most frequently begets that malicious pleasure in the Audience which is testified by laughter ; as all things which are deviations from customes are ever the aptest to produce it : though by the way this laughter is only ...
Sivu 270
... represented in tragedy , may be too bloody and atrocious . It may excite such movements of horror as will not soften into pleasure ; and the greatest energy of expression be- stowed on descriptions of that nature serves only to augment ...
... represented in tragedy , may be too bloody and atrocious . It may excite such movements of horror as will not soften into pleasure ; and the greatest energy of expression be- stowed on descriptions of that nature serves only to augment ...
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action admiration Aeneid affected Ancients appear Aristotle Audience Author beauty Ben Johnson blank verse Character Chaucer Comedy common Crites critical delight Discourse Dryden endeavour English entertainment essays Eugenius excellent fancy farther faults fiction French G. A. Aitken genius give hath Homer Horace human Humour idea images imagination imitation Jeremy Collier John Dryden Johnson judge judgment kind Lady Language learning Lisideius Lord Foplington Love mankind manner matter mind modern moral nature neo-classical never numbers objects observ'd observed opinion Ovid pain painter painting Paradise Lost passions pastoral perfect perhaps persons Plautus Play Playes pleasure Plot poem Poesie Poet poetry praise principles Provok'd Wife reader reason Rhyme ridiculous rules Scene sense sentiments shew Silent Woman speak Stage sublime taste Theocritus things thought tion tragedy true truth Vice Virgil virtue Walter Jackson Bate words writ writing