Peculiar Passages: Black Women Playwrights, 1875 to 2000Peter Lang, 2005 - 295 sivua This book features African American women playwrights from 1875 to 2000, with an emphasis on the late nineteenth century, a period rarely treated in regard to women's drama. Highlighting the lesser-known Pauline Hopkins, Angelina Weld Grimké, Georgia Douglas Johnson, Eulalie Spence, and May Miller, and the well-known Zora Neale Hurston, Alice Childress, Adrienne Kennedy, and Ntozake Shange, Peculiar Passages argues that these playwrights' efforts define a tradition characterized by quick-change mobility, sensitivity to vernacular forms, and dedication to intertextual dialogue. Situating the plays within a broader context, the book also connects them to minstrelsy, the Passion Play, and the Black Arts Movement. |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 11
Sivu 130
... Wedding Band , which was produced by the New York Public Theater's Shakespeare Festival in 1972 , Los Angeles ' Inner City Cultural Center in 1977 , and Hartford's John Huntington Theater in 1979. Wedding Band , certainly the most ...
... Wedding Band , which was produced by the New York Public Theater's Shakespeare Festival in 1972 , Los Angeles ' Inner City Cultural Center in 1977 , and Hartford's John Huntington Theater in 1979. Wedding Band , certainly the most ...
Sivu 152
... Wedding Band . Any sense of unfettered victory that these leads gain during the drama's course is tempered by these indeterminate , solemn , even desolate , final scenes . So we must ask : What is Childress doing by allowing her major ...
... Wedding Band . Any sense of unfettered victory that these leads gain during the drama's course is tempered by these indeterminate , solemn , even desolate , final scenes . So we must ask : What is Childress doing by allowing her major ...
Sivu 155
... Wedding Band when Mattie threatens her young daughter because the child has lost the quarter that will allow her confec- tioner mother to purchase the ingredients for her candy business ( Note that Mattie's husband prepares food for the ...
... Wedding Band when Mattie threatens her young daughter because the child has lost the quarter that will allow her confec- tioner mother to purchase the ingredients for her candy business ( Note that Mattie's husband prepares food for the ...
Sisältö
Staging Black Female Pleasure | 31 |
Neurotic Sentimentality | 57 |
EarlyTwentiethCentury | 83 |
Tekijänoikeudet | |
5 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
Adrienne Kennedy aesthetics African American female African American women Afrocentric Alice Childress American female playwrights American theater argues artists audience becomes black America Black Arts Black Arts Movement black communities black female black theater Black Women Playwrights blackface blues body break Brown-Guillory characters Childress choreopoem colored girls comedy contemporary critical dance dialogue discourse domestic dominant drama dramatists early figures Funnyhouse gender Georgia Douglas Johnson Grimké Harlem Harlem Renaissance Hopkins Hopkins's Hurston images imaginative instance Juno Kennedy's Krigwa Players male Mammy manner Marita Bonner mask Middle Passage minstrel minstrelsy mother musical NAACP narrative Negro nineteenth-century Ntozake Shange Pauline Hopkins performance period pieces play production Rachel racial uplift racism ritual roles scene script sexuality Shange Shange's social song space spiritual stage structure Suzanne Suzanne's symbolic theatrical tradition Underground Railroad various viewer Wedding Band Wiletta woman writers York Zora Neale Hurston
Viitteet tähän teokseen
Contemporary African American Women Playwrights: A Casebook Philip C. Kolin Esikatselu ei käytettävissä - 2007 |