Peculiar Passages: Black Women Playwrights, 1875 to 2000Peter Lang, 2005 - 295 sivua This book features African American women playwrights from 1875 to 2000, with an emphasis on the late nineteenth century, a period rarely treated in regard to women's drama. Highlighting the lesser-known Pauline Hopkins, Angelina Weld Grimké, Georgia Douglas Johnson, Eulalie Spence, and May Miller, and the well-known Zora Neale Hurston, Alice Childress, Adrienne Kennedy, and Ntozake Shange, Peculiar Passages argues that these playwrights' efforts define a tradition characterized by quick-change mobility, sensitivity to vernacular forms, and dedication to intertextual dialogue. Situating the plays within a broader context, the book also connects them to minstrelsy, the Passion Play, and the Black Arts Movement. |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 80
Sivu 101
... pieces because it reveals the subtle shift in tone over this period for black women playwrights . The black body removed from Miller's drama , conceived more than twenty years after this similar play by Burrill , argues a growing ...
... pieces because it reveals the subtle shift in tone over this period for black women playwrights . The black body removed from Miller's drama , conceived more than twenty years after this similar play by Burrill , argues a growing ...
Sivu 203
... pieces are equal . As I have mentioned , the mother's proclamations are much louder than any other ; yet , there is ample room for discussion and for the kind of rituals where conversation / noise informs even a presupposing figure like ...
... pieces are equal . As I have mentioned , the mother's proclamations are much louder than any other ; yet , there is ample room for discussion and for the kind of rituals where conversation / noise informs even a presupposing figure like ...
Sivu 248
... pieces xiv – xv ) . What brands them as particularly American is their ability to convert their acumen for deception into social currency . Earl and Nevada maneuver to trade their cash for the raw talent that they believe Sean , Michael ...
... pieces xiv – xv ) . What brands them as particularly American is their ability to convert their acumen for deception into social currency . Earl and Nevada maneuver to trade their cash for the raw talent that they believe Sean , Michael ...
Sisältö
Staging Black Female Pleasure | 31 |
Neurotic Sentimentality | 57 |
EarlyTwentiethCentury | 83 |
Tekijänoikeudet | |
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Yleiset termit ja lausekkeet
Adrienne Kennedy aesthetics African American female African American women Afrocentric Alice Childress American female playwrights American theater argues artists audience becomes black America Black Arts Black Arts Movement black communities black female black theater Black Women Playwrights blackface blues body break Brown-Guillory characters Childress choreopoem colored girls comedy contemporary critical dance dialogue discourse domestic dominant drama dramatists early figures Funnyhouse gender Georgia Douglas Johnson Grimké Harlem Harlem Renaissance Hopkins Hopkins's Hurston images imaginative instance Juno Kennedy's Krigwa Players male Mammy manner Marita Bonner mask Middle Passage minstrel minstrelsy mother musical NAACP narrative Negro nineteenth-century Ntozake Shange Pauline Hopkins performance period pieces play production Rachel racial uplift racism ritual roles scene script sexuality Shange Shange's social song space spiritual stage structure Suzanne Suzanne's symbolic theatrical tradition Underground Railroad various viewer Wedding Band Wiletta woman writers York Zora Neale Hurston
Viitteet tähän teokseen
Contemporary African American Women Playwrights: A Casebook Philip C. Kolin Esikatselu ei käytettävissä - 2007 |