Peculiar Passages: Black Women Playwrights, 1875 to 2000Peter Lang, 2005 - 295 sivua This book features African American women playwrights from 1875 to 2000, with an emphasis on the late nineteenth century, a period rarely treated in regard to women's drama. Highlighting the lesser-known Pauline Hopkins, Angelina Weld Grimké, Georgia Douglas Johnson, Eulalie Spence, and May Miller, and the well-known Zora Neale Hurston, Alice Childress, Adrienne Kennedy, and Ntozake Shange, Peculiar Passages argues that these playwrights' efforts define a tradition characterized by quick-change mobility, sensitivity to vernacular forms, and dedication to intertextual dialogue. Situating the plays within a broader context, the book also connects them to minstrelsy, the Passion Play, and the Black Arts Movement. |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 85
Sivu 10
... stage en masse during the 1870s and thereafter , they broke the identificatory hold between spectators ( mostly white males ) and minstrels ( mostly white males in colors ) that epitomizes a hollow receptacle for relieving anxiety ...
... stage en masse during the 1870s and thereafter , they broke the identificatory hold between spectators ( mostly white males ) and minstrels ( mostly white males in colors ) that epitomizes a hollow receptacle for relieving anxiety ...
Sivu 177
... stage , she inscribes the traditional Western puppet - box design as the living marionettes entertain a removed consumer . However , she inserts as well a West African - based motif that animates a chamber where regal / anointed figures ...
... stage , she inscribes the traditional Western puppet - box design as the living marionettes entertain a removed consumer . However , she inserts as well a West African - based motif that animates a chamber where regal / anointed figures ...
Sivu 234
... stage . Despite the fact that Childress drafts arguably more traditionally realistic treatments ( I contend that she disrupts this pattern with African American modalities ) while Shange builds up from a funky , down - beat arrangement ...
... stage . Despite the fact that Childress drafts arguably more traditionally realistic treatments ( I contend that she disrupts this pattern with African American modalities ) while Shange builds up from a funky , down - beat arrangement ...
Sisältö
Staging Black Female Pleasure | 31 |
Neurotic Sentimentality | 57 |
EarlyTwentiethCentury | 83 |
Tekijänoikeudet | |
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Yleiset termit ja lausekkeet
Adrienne Kennedy aesthetics African American female African American women Afrocentric Alice Childress American female playwrights American theater argues artists audience becomes black America Black Arts Black Arts Movement black communities black female black theater Black Women Playwrights blackface blues body break Brown-Guillory characters Childress choreopoem colored girls comedy contemporary critical dance dialogue discourse domestic dominant drama dramatists early figures Funnyhouse gender Georgia Douglas Johnson Grimké Harlem Harlem Renaissance Hopkins Hopkins's Hurston images imaginative instance Juno Kennedy's Krigwa Players male Mammy manner Marita Bonner mask Middle Passage minstrel minstrelsy mother musical NAACP narrative Negro nineteenth-century Ntozake Shange Pauline Hopkins performance period pieces play production Rachel racial uplift racism ritual roles scene script sexuality Shange Shange's social song space spiritual stage structure Suzanne Suzanne's symbolic theatrical tradition Underground Railroad various viewer Wedding Band Wiletta woman writers York Zora Neale Hurston
Viitteet tähän teokseen
Contemporary African American Women Playwrights: A Casebook Philip C. Kolin Esikatselu ei käytettävissä - 2007 |