Particular Saints: Shakespeare's Four Antonios, Their Contexts, and Their PlaysUniversity of Delaware Press, 1997 - 250 sivua Why do characters named Antonio proliferate on the English Renaissance stage? Why are they so often paired with other characters named Sebastian? And more significantly, why are they repeatedly characterized by Shakespeare and his contemporaries as fools for love? Particular Saints draws on church history, art history, and theater history to address these questions by illustrating that Renaissance stage Antonios are a type, representing a tradition familiar to early modern audiences and exploited by Shakespeare in portraying his four major characters named Antonio. Such characters ultimately derive from the rich medieval iconography and hagiography of Saint Anthony of Egypt. How this knowledge reinforms our late-twentieth-century understanding of the four plays in question is addressed in separate chapters that range widely across each work: The Merchant of Venice, Twelfth Night, Antony and Cleopatra, and The Tempest. |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 8
Sivu 15
... various ways throughout the works of Shakespeare and his contemporaries , as exem- plified by the opening reference to Measure for Measure . Characters named Antonio , however , provide the plays in which they appear with a distinct ...
... various ways throughout the works of Shakespeare and his contemporaries , as exem- plified by the opening reference to Measure for Measure . Characters named Antonio , however , provide the plays in which they appear with a distinct ...
Sivu 64
... various uses of theatrics . In the trial scene , Portia's advance knowledge of how to overturn the bond not only buys her the time to try coaxing Shylock out of his vengeance ; it also rigs the other characters ' responses to the ...
... various uses of theatrics . In the trial scene , Portia's advance knowledge of how to overturn the bond not only buys her the time to try coaxing Shylock out of his vengeance ; it also rigs the other characters ' responses to the ...
Sivu 72
... various , contrary demands upon her judgment , she will likely fall short of the mark . Her partial inade- quacy is virtually guaranteed . Whatever comic impulse may inform Por- tia's skill at judgment or her inclination to effect peace ...
... various , contrary demands upon her judgment , she will likely fall short of the mark . Her partial inade- quacy is virtually guaranteed . Whatever comic impulse may inform Por- tia's skill at judgment or her inclination to effect peace ...
Sisältö
Acknowledgments | 9 |
Characters Named Antonio | 20 |
Antonio and Alienation in | 51 |
Tekijänoikeudet | |
7 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Particular Saints: Shakespeare's Four Antonios, Their Contexts, and Their Plays Cynthia Lewis Rajoitettu esikatselu - 1997 |
Yleiset termit ja lausekkeet
acceptance action Antonio Antony and Cleopatra Antony's appear artists audience Bassanio become believe Caesar Caliban calls century characterization characters choice Christ Christian completely concerns continually course critics death desire discussion disguise Drama earlier early Elizabethan English especially example experience fact feelings Feste Feste's final fool foolish further give hand human ideal identity instance John judgment kind language late later least less lines live Malvolio meaning Medieval Merchant of Venice Michigan moral motives nature never Night Olivia once particular perhaps play play's political Portia practical present Press pride problem Prospero question reason reference remains Renaissance response Saint Anthony scene Sebastian seems sense Shakespeare Shylock speaks spiritual stage Antonios Studies suggests Tempest trial true truth turn Twelfth Twelfth Night University Viola wisdom wise folly worldly York
Viitteet tähän teokseen
Shakespeare and the Cultures of Performance Paul Edward Yachnin,Patricia Badir Rajoitettu esikatselu - 2008 |
Shakespeare and the Cultures of Performance Paul Edward Yachnin,Patricia Badir Rajoitettu esikatselu - 2008 |