The Poetic Workmanship of Alexander PopeUniversity of Minnesota Press, 1955 - 239 sivua |
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Tulokset 1 - 3 kokonaismäärästä 16
Sivu 8
... convention . 1. Unity , because the dramatic speaker is ordinarily not changed within a given poem . Everything said is from the viewpoint of a single person , who may develop , as any fictional character may , but who does not become ...
... convention . 1. Unity , because the dramatic speaker is ordinarily not changed within a given poem . Everything said is from the viewpoint of a single person , who may develop , as any fictional character may , but who does not become ...
Sivu 15
... convention with which this speaker is identified , Eloisa to Abelard is one of the very few poems in which Pope has dealt sympathetically with the Romantic tenet that grande passion excuses everything . It would be a mistake to assume ...
... convention with which this speaker is identified , Eloisa to Abelard is one of the very few poems in which Pope has dealt sympathetically with the Romantic tenet that grande passion excuses everything . It would be a mistake to assume ...
Sivu 103
... convention , which continually draws an anal- ogy between big and heroic and little and ordinary , provides another metaphor , inherent in the genre , a sort of ocean on which all the other metaphors float . This metaphor , never ...
... convention , which continually draws an anal- ogy between big and heroic and little and ordinary , provides another metaphor , inherent in the genre , a sort of ocean on which all the other metaphors float . This metaphor , never ...
Sisältö
INTRODUCTION | 3 |
THE IMPLIED DRAMATIC SPEAKER | 7 |
IRONY | 31 |
Tekijänoikeudet | |
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achieve actual antithesis approach aspect attitude Augustan Balaam beauty Belinda Christian Cibber Cleanth Brooks concept contrast convention correctible evil couplet court death decorum Dialogue divine Donne Donne's double meanings doubles entendres dramatic speaker dull Dulness Dunciad effect Eiron element Eloisa to Abelard emphasis Epistle to Dr Essay on Criticism ev'ry example eyes fact Fame feminine fools function genre goddess Heav'n heroic Horace Horace's human humor Iliad imitation individual instance ironic irony light lines Lock man's matter meta metaphor mock epic mock-heroic Moral Essay multiple congruences narrative nature paradox parallelism passage passion pastoral poet poetic poetry Pope Pope's poem Pope's speaker Popian portrait praise presented pride Rape reader reality realms reason religious rhetorical Sappho satire sense significant soul speech spiritual stresses Sylphs symbolic tension Thalestris things thou thro tion tonal tone truth universe verse via media whole Windsor Forest