Musical Theatre, Realism and EntertainmentAshgate Publishing, Ltd., 2012 - 194 sivua Millie Taylor challenges existing thinking on musical theatre. She suggests that 'integration', created through the signification of 'realism' and attributed particularly to the book musical, is simply a construction. |
Sisältö
Musical Characterisation in HMS Pinafore | 15 |
Show Boat Guys and Dolls | 33 |
Cabaret Kiss of the Spider Woman | 91 |
Illusions of Realism in West Side Story | 111 |
The Jukebox Musical and Entertainment in Jersey Boys | 149 |
Conclusion | 167 |
| 187 | |
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
accompaniment actor aesthetic allows American Musical argued audience members awareness Banfield bel canto blend Book Brecht Broadway Cabaret camp chapter character characterisation cognitive comedy comic complex context contribute create cultural dance delivery diegetic diegetic performance disruption dissonance distance dramatic emotional entertainment example excess experience explore film genre gestures Gilbert and Sullivan glam rock Harold Prince HMS Pinafore Ibid identifies images incorporate integration interaction interpretation intertextual Jenny juxtaposition Knapp linear narrative live performance London Mahagonny mediatised melody mirror neurons Molina moments montage Music and Lyrics musical styles musical theatre performances musical theatre texts opera operetta pitch pleasure plot popular music potential presented production reading realism reference reflexive relation relationship representation rock rock music Rocky Horror Show scene Show Boat signify simultaneously singer singing song soprano sound speech stage Stephen Sondheim story structure suggests sung Sweeney Todd theatrical timbre understanding vaudeville vocal range voice waltz Weill