Makers of Literary Criticism, Nide 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 sivua |
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Tulokset 1 - 3 kokonaismäärästä 84
Sivu 30
... action , and the supreme good itself , the very end of life , is action of a certain kind — not quality . Now the manners of men constitute only their quality or characters ; but it is by their actions that they are happy , or the ...
... action , and the supreme good itself , the very end of life , is action of a certain kind — not quality . Now the manners of men constitute only their quality or characters ; but it is by their actions that they are happy , or the ...
Sivu 169
... action is aimed at by the poet , which answers place in a building ; and that action has his largeness , compass , and proportion . But , as a court , or king's palace , requires other dimensions than a private house : so the epic asks ...
... action is aimed at by the poet , which answers place in a building ; and that action has his largeness , compass , and proportion . But , as a court , or king's palace , requires other dimensions than a private house : so the epic asks ...
Sivu 186
... action , says Corneille , that is , one complete action , which leaves the mind of the audience in a full repose ; but this cannot be brought to pass but by many other imperfect actions , which conduce to it , and hold the audience in a ...
... action , says Corneille , that is , one complete action , which leaves the mind of the audience in a full repose ; but this cannot be brought to pass but by many other imperfect actions , which conduce to it , and hold the audience in a ...
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action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written