Makers of Literary Criticism, Nide 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 48
Sivu 21
... beauty as well as for their strength and success in games , or , again for their birth and the qualities of their ancestors ; and some who were the reverse of famous for the opposite qualities . And of women likewise ; there was not ...
... beauty as well as for their strength and success in games , or , again for their birth and the qualities of their ancestors ; and some who were the reverse of famous for the opposite qualities . And of women likewise ; there was not ...
Sivu 31
... beauty of the decorations depends more on the art of the mechanic than on that of the poet . IV These things being thus adjusted , let us go on to examine in what manner the fable should be constructed ; since this is the most important ...
... beauty of the decorations depends more on the art of the mechanic than on that of the poet . IV These things being thus adjusted , let us go on to examine in what manner the fable should be constructed ; since this is the most important ...
Sivu 126
... beauty to be a beastly fault ( although it be very hard , since only man , and no beast has that gift to discern beauty ) ; grant that lovely name of Love to deserve all hateful reproaches ( although even some of my masters the ...
... beauty to be a beastly fault ( although it be very hard , since only man , and no beast has that gift to discern beauty ) ; grant that lovely name of Love to deserve all hateful reproaches ( although even some of my masters the ...
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action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written