Makers of Literary Criticism, Nide 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 79
Sivu 35
... character ; for this raises disgust rather than terror or compassion . Neither should the contrary change , from adversity to prosperity , be exhibited in a vicious character : this , of all plans , is the most opposite to the genius of ...
... character ; for this raises disgust rather than terror or compassion . Neither should the contrary change , from adversity to prosperity , be exhibited in a vicious character : this , of all plans , is the most opposite to the genius of ...
Sivu 38
... character of Menelaus in the tragedy of Orestes : of improper and unbecoming manners in the lamentation of Ulysses in Scylla , and in the speech of Menalippe : of ununiform manners in the Iphigenia at Aulis ; for there the Iphigenia who ...
... character of Menelaus in the tragedy of Orestes : of improper and unbecoming manners in the lamentation of Ulysses in Scylla , and in the speech of Menalippe : of ununiform manners in the Iphigenia at Aulis ; for there the Iphigenia who ...
Sivu 235
... character has escaped him . All his pilgrims are severally distinguished from each other ; and not only in their ... characters are distinguished by their several sorts of gravity ; their discourses are such as belong to their age ...
... character has escaped him . All his pilgrims are severally distinguished from each other ; and not only in their ... characters are distinguished by their several sorts of gravity ; their discourses are such as belong to their age ...
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written