Makers of Literary Criticism, Nide 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 sivua |
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Tulokset 1 - 3 kokonaismäärästä 71
Sivu 36
... effect which every one who hears the fable of the Oedipus must experience . But to produce this effect by means of the decoration discovers want of art in the poet ; who must also be supplied by the public with an expensive apparatus ...
... effect which every one who hears the fable of the Oedipus must experience . But to produce this effect by means of the decoration discovers want of art in the poet ; who must also be supplied by the public with an expensive apparatus ...
Sivu 80
... effect of placing the reader in the midst of the scene of action . And by pointing your words to the individual reader , instead of to the readers generally , as in the line " Thou hadst not known for whom Tydides fought , " 59 and thus ...
... effect of placing the reader in the midst of the scene of action . And by pointing your words to the individual reader , instead of to the readers generally , as in the line " Thou hadst not known for whom Tydides fought , " 59 and thus ...
Sivu 89
... effect of the hyperbole is spoilt , being in such cases relaxed by overstraining , and producing the very opposite to the effect desired . Isocrates , for instance , from an ambitious desire of lending everything a strong rhetorical ...
... effect of the hyperbole is spoilt , being in such cases relaxed by overstraining , and producing the very opposite to the effect desired . Isocrates , for instance , from an ambitious desire of lending everything a strong rhetorical ...
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action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written