Makers of Literary Criticism, Nide 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 sivua |
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Tulokset 1 - 3 kokonaismäärästä 28
Sivu 151
... express a human form in all the graces , sweetness , and elegance ; but they miss the authority . They can hit nothing but smooth cheeks ; they cannot express roughness , or gravity . Others aspire to truth so much , as they are rather ...
... express a human form in all the graces , sweetness , and elegance ; but they miss the authority . They can hit nothing but smooth cheeks ; they cannot express roughness , or gravity . Others aspire to truth so much , as they are rather ...
Sivu 175
... express some special purpose or conceit . Which later kind of parabolical wisdom was much more in use in the ancient times , as by the fables of Æsop , and the brief sentences of the Seven , 10 and the use of hieroglyphics may appear ...
... express some special purpose or conceit . Which later kind of parabolical wisdom was much more in use in the ancient times , as by the fables of Æsop , and the brief sentences of the Seven , 10 and the use of hieroglyphics may appear ...
Sivu 204
... express and work up the passions , I wish any example he could bring from them would make it good ; for I confess their verses are to me the coldest I have ever read . Neither , indeed , is it possible for them , in the way they take ...
... express and work up the passions , I wish any example he could bring from them would make it good ; for I confess their verses are to me the coldest I have ever read . Neither , indeed , is it possible for them , in the way they take ...
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action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written