Makers of Literary Criticism, Nide 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 58
Sivu 33
... known and established subjects of tragedy . Such a restraint would , indeed , be ridiculous ; since even those sub- jects that are known are known comparatively but to few , and yet are interesting to all . From all this it is manifest ...
... known and established subjects of tragedy . Such a restraint would , indeed , be ridiculous ; since even those sub- jects that are known are known comparatively but to few , and yet are interesting to all . From all this it is manifest ...
Sivu 34
... known to him his real birth , produces an effect directly contrary to his intention . Thus also in the tragedy of Lynceus , Lynceus is led to suffer death , Danaus follows to inflict it ; but the event , resulting from the course of the ...
... known to him his real birth , produces an effect directly contrary to his intention . Thus also in the tragedy of Lynceus , Lynceus is led to suffer death , Danaus follows to inflict it ; but the event , resulting from the course of the ...
Sivu 276
... known the language in the com- mon degree , he could not have written it without assistance . In the story of Romeo and Juliet he is observed to have followed the English translation where it deviates from the Italian , but this , on ...
... known the language in the com- mon degree , he could not have written it without assistance . In the story of Romeo and Juliet he is observed to have followed the English translation where it deviates from the Italian , but this , on ...
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written