Makers of Literary Criticism, Nide 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 sivua |
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Tulokset 1 - 3 kokonaismäärästä 60
Sivu 172
... learning has been most traduced . For those things we do esteem vain , which are either false or frivolous , those ... learning : the first , fantastical learning ; the second , contentious learning ; and the last , de- licate learning ...
... learning has been most traduced . For those things we do esteem vain , which are either false or frivolous , those ... learning : the first , fantastical learning ; the second , contentious learning ; and the last , de- licate learning ...
Sivu 173
... learning . Then did Erasmus take occasion to make the scoffing Echo : Decem annos consumpsi in legendo Cicerone ; and the Echo answered in Greek , one , Asine . Then grew the learning of the schoolmen to be utterly despised as barbarous ...
... learning . Then did Erasmus take occasion to make the scoffing Echo : Decem annos consumpsi in legendo Cicerone ; and the Echo answered in Greek , one , Asine . Then grew the learning of the schoolmen to be utterly despised as barbarous ...
Sivu 174
... learning , that is , the more severe and laborious sort of inquirers into truth , but will despise those de- licacies and affectations , as indeed capable of no divineness . And thus much of the first disease or distemper of learning ...
... learning , that is , the more severe and laborious sort of inquirers into truth , but will despise those de- licacies and affectations , as indeed capable of no divineness . And thus much of the first disease or distemper of learning ...
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action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written