Makers of Literary Criticism, Nide 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 71
Sivu 104
... lines and bring them to the anvil again . If you chose rather to defend than to mend the faulty line , not a word more would he say , or waste his efforts . Henceforth you might hug yourself and your works , alone , without a rival . A ...
... lines and bring them to the anvil again . If you chose rather to defend than to mend the faulty line , not a word more would he say , or waste his efforts . Henceforth you might hug yourself and your works , alone , without a rival . A ...
Sivu 389
... lines seriously , and that some wag had added the two latter in burlesque . Who would expect the lines that immediately follow , which are indeed indecently hyperbolical , but certainly in a mode totally different ? To see this fleet ...
... lines seriously , and that some wag had added the two latter in burlesque . Who would expect the lines that immediately follow , which are indeed indecently hyperbolical , but certainly in a mode totally different ? To see this fleet ...
Sivu 410
... lines of Phaer's third Æneid will exemplify this measure : When Asia's state was overthrown , and Priam's kingdom stout , All guiltless , by the power of gods above was rooted out . As these lines had their break , or caesure , always ...
... lines of Phaer's third Æneid will exemplify this measure : When Asia's state was overthrown , and Priam's kingdom stout , All guiltless , by the power of gods above was rooted out . As these lines had their break , or caesure , always ...
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
action admiration Æneid Aeschylus ancient appears argument Aristotle audience beauty Ben Jonson better blank verse called censure character Chaucer Cicero comedy criticism delight Demosthenes diction diligence discourse drama Dryden elegant English epic epic poetry Euripides evil example excellent express eyes fable faults favour French genius give Glaucon Greek Herodotus Homer honour Horace human images imagination imitation invention John Dryden judge judgement kind King knowledge labour language learning Lisideius live manners mean Milton mind nature never observed opinion Ovid Paradise Lost passage passions perhaps persons philosopher Plato Plautus play pleasure plot poem poesy poet poetical poetry praise reader reason rhyme ridiculous scenes seems sense sentiments Shakespeare sometimes Sophocles soul speak speech stage style sublimity suppose things thought tion tragedy translated true truth verse Virgil virtue whole words write written Xenophon