Makers of Literary Criticism, Nide 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 69
Sivu 132
... matter which never was begotten by knowledge . For , there being two principal parts , matter to be expressed by words , and words to express the matter , in neither we use art or imitation rightly . Our matter is quodlibet2 indeed ...
... matter which never was begotten by knowledge . For , there being two principal parts , matter to be expressed by words , and words to express the matter , in neither we use art or imitation rightly . Our matter is quodlibet2 indeed ...
Sivu 152
... matter ; then choose his words , and examine the weight of either . Then take care in placing , and ranking both matter , and words , that the composition be comely ; and to do this with diligence , and often . No matter how slow the ...
... matter ; then choose his words , and examine the weight of either . Then take care in placing , and ranking both matter , and words , that the composition be comely ; and to do this with diligence , and often . No matter how slow the ...
Sivu 173
... matter ; more after the choiceness of the phrase , and the round and clean composition of the sentence , and sweet falling of the clauses , and the varying illustration of their works with tropes and figures , than after the weight of ...
... matter ; more after the choiceness of the phrase , and the round and clean composition of the sentence , and sweet falling of the clauses , and the varying illustration of their works with tropes and figures , than after the weight of ...
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Yleiset termit ja lausekkeet
action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written