Makers of Literary Criticism, Nide 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 63
Sivu 203
... pass to another of mirth and humour , and to enjoy it with any relish : but why should he imagine the soul of man more heavy than his senses ? Does not the eye pass from an unpleasant object to a pleasant in a much shorter time than is ...
... pass to another of mirth and humour , and to enjoy it with any relish : but why should he imagine the soul of man more heavy than his senses ? Does not the eye pass from an unpleasant object to a pleasant in a much shorter time than is ...
Sivu 272
... pass and that no more account of space or duration is to be taken by the auditor of a drama than by the reader of a narrative , before whom may pass in an hour the life of a hero or the revolutions of an empire . Whether Shakespeare ...
... pass and that no more account of space or duration is to be taken by the auditor of a drama than by the reader of a narrative , before whom may pass in an hour the life of a hero or the revolutions of an empire . Whether Shakespeare ...
Sivu 288
... passes without intervention of time or change of place . A pause makes a new act . In every real , and therefore in ... pass . This method would at once quell a thousand absurdities . In restoring the author's works to their integrity ...
... passes without intervention of time or change of place . A pause makes a new act . In every real , and therefore in ... pass . This method would at once quell a thousand absurdities . In restoring the author's works to their integrity ...
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written