Makers of Literary Criticism, Nide 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 sivua |
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Tulokset 1 - 3 kokonaismäärästä 65
Sivu 26
... pleasure from imitation . This is evident from what we experience in viewing the works of imitative art ; for in them we contemplate with pleasure , and with the more pleasure the more exactly they are imitated , such objects as , if ...
... pleasure from imitation . This is evident from what we experience in viewing the works of imitative art ; for in them we contemplate with pleasure , and with the more pleasure the more exactly they are imitated , such objects as , if ...
Sivu 36
... pleasure , however , is not the proper pleasure of tragedy , but belongs rather to comedy ; for there , if even the bitterest enemies , like Orestes and Aegisthus , are introduced , they quit the scene at last in perfect friendship ...
... pleasure , however , is not the proper pleasure of tragedy , but belongs rather to comedy ; for there , if even the bitterest enemies , like Orestes and Aegisthus , are introduced , they quit the scene at last in perfect friendship ...
Sivu 335
... Pleasure and terror are indeed the genuine sources of poetry ; but poetical pleasure must be such as human imagination can at least conceive , and poetical terror such as human strength and fortitude may combat . The good and evil of ...
... Pleasure and terror are indeed the genuine sources of poetry ; but poetical pleasure must be such as human imagination can at least conceive , and poetical terror such as human strength and fortitude may combat . The good and evil of ...
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action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written