Makers of Literary Criticism, Nide 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 86
Sivu 33
... poet should be a poet or maker of fables , rather than of verses ; since it is imitation that constitutes the poet , and of this imitation actions are the object : nor is he the less a poet , though the incidents of his fable should ...
... poet should be a poet or maker of fables , rather than of verses ; since it is imitation that constitutes the poet , and of this imitation actions are the object : nor is he the less a poet , though the incidents of his fable should ...
Sivu 50
... poet would evidently have been intolerable ; but here the absurdity is concealed under the various beauties of other kinds with which the poet has embellished it . The diction should be most laboured in the idle parts of the poem ...
... poet would evidently have been intolerable ; but here the absurdity is concealed under the various beauties of other kinds with which the poet has embellished it . The diction should be most laboured in the idle parts of the poem ...
Sivu 125
... poet is the least liar , and though he would , as a poet , can scarcely be a liar . The astronomer , with his cousin the geometrician can hardly escape when they take upon them to measure the height of the stars . How often , think you ...
... poet is the least liar , and though he would , as a poet , can scarcely be a liar . The astronomer , with his cousin the geometrician can hardly escape when they take upon them to measure the height of the stars . How often , think you ...
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written