Makers of Literary Criticism, Nide 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 55
Sivu 31
... present a whole easily comprehended by the eye ; so in the fable a certain length is requisite , but that length must be such as to present a whole easily comprehended by the memory . With respect to the measure of this length — if ...
... present a whole easily comprehended by the eye ; so in the fable a certain length is requisite , but that length must be such as to present a whole easily comprehended by the memory . With respect to the measure of this length — if ...
Sivu 261
... present age refuses , and flatter themselves that the regard which is yet denied by envy will be at last bestowed by time . Antiquity , like every other quality that attracts the notice of mankind has undoubtedly votaries that reverence ...
... present age refuses , and flatter themselves that the regard which is yet denied by envy will be at last bestowed by time . Antiquity , like every other quality that attracts the notice of mankind has undoubtedly votaries that reverence ...
Sivu 279
... present popularity and present profit . When his plays had been acted , his hope was at an end ; he solicited no addition of honour from the reader . He therefore made no scruple to repeat the same jests in many dialogues or to entangle ...
... present popularity and present profit . When his plays had been acted , his hope was at an end ; he solicited no addition of honour from the reader . He therefore made no scruple to repeat the same jests in many dialogues or to entangle ...
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Yleiset termit ja lausekkeet
action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written