Makers of Literary Criticism, Nide 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 sivua |
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Tulokset 1 - 3 kokonaismäärästä 76
Sivu 34
... produced without either revolution or discovery ; complicated when with one or both . And these should arise from the structure of the fable itself , so as to be the natural consequences , necessary or probable , of what has preceded in ...
... produced without either revolution or discovery ; complicated when with one or both . And these should arise from the structure of the fable itself , so as to be the natural consequences , necessary or probable , of what has preceded in ...
Sivu 39
... produced as visible signs . Another instance is the discovery by the sound of the shuttle in the Tereus of Sophocles . Thirdly , the discovery occasioned by memory ; as when some recollection is excited by the view of a particular ...
... produced as visible signs . Another instance is the discovery by the sound of the shuttle in the Tereus of Sophocles . Thirdly , the discovery occasioned by memory ; as when some recollection is excited by the view of a particular ...
Sivu 89
... producing the very opposite to the effect desired . Isocrates , for instance , from an ambitious desire of lending ... produced when a writer , impelled by strong feeling , speaks in the accent of some tremendous crisis ; as Thucydides ...
... producing the very opposite to the effect desired . Isocrates , for instance , from an ambitious desire of lending ... produced when a writer , impelled by strong feeling , speaks in the accent of some tremendous crisis ; as Thucydides ...
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action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written