Makers of Literary Criticism, Nide 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 52
Sivu 185
... rules by which we practise the drama at this day ( either such as relate to the justness and symmetry of the plot , or the episodical ornaments , such as descriptions , nar- rations , and other beauties , which are not essential to the ...
... rules by which we practise the drama at this day ( either such as relate to the justness and symmetry of the plot , or the episodical ornaments , such as descriptions , nar- rations , and other beauties , which are not essential to the ...
Sivu 246
... rules not far enough extend , 145 ( Since rules were made but to promote their end ) Some lucky Licence answer to the full Th ' intent propos'd , that Licence is a rule . Thus Pegasus , a nearer way to take , 150 May boldly deviate from ...
... rules not far enough extend , 145 ( Since rules were made but to promote their end ) Some lucky Licence answer to the full Th ' intent propos'd , that Licence is a rule . Thus Pegasus , a nearer way to take , 150 May boldly deviate from ...
Sivu 249
... rules . Our Author , happy in a judge so nice , 255 260 265 270 Produc'd his play , and begg'd the Knight's advice ; Make him observe the subject and the plot , 275 The manners , passions , unities ; what not ? All which , exact to rule ...
... rules . Our Author , happy in a judge so nice , 255 260 265 270 Produc'd his play , and begg'd the Knight's advice ; Make him observe the subject and the plot , 275 The manners , passions , unities ; what not ? All which , exact to rule ...
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written