Makers of Literary Criticism, Nide 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 sivua |
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Tulokset 1 - 3 kokonaismäärästä 53
Sivu 186
... stage on which it is represented being but one and the same place , it is unnatural to conceive it many — and those ... stage is so supplied with persons , that it is never empty all the time he who enters second , has business with him ...
... stage on which it is represented being but one and the same place , it is unnatural to conceive it many — and those ... stage is so supplied with persons , that it is never empty all the time he who enters second , has business with him ...
Sivu 203
... stage , though well translated , and that part of Dorant acted to so much ad- vantage as I am confident it never received in its own country , the most favourable to it would not put it in competition with many of Fletcher's or Ben ...
... stage , though well translated , and that part of Dorant acted to so much ad- vantage as I am confident it never received in its own country , the most favourable to it would not put it in competition with many of Fletcher's or Ben ...
Sivu 271
... stage at one time for the palace of the Ptolemies may take it in half an hour for the promontory of Actium ... stage a field . The truth is that the spectators are always in their senses , and know , from the first act to the last , that ...
... stage at one time for the palace of the Ptolemies may take it in half an hour for the promontory of Actium ... stage a field . The truth is that the spectators are always in their senses , and know , from the first act to the last , that ...
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action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written