Makers of Literary Criticism, Nide 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 sivua |
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Tulokset 1 - 3 kokonaismäärästä 81
Sivu 217
... verse , and Virgil needed not verse to have bounded his . " In our own language we see Ben Jonson confining himself to what ought to be said , even in the liberty of blank verse ; and yet Corneille , the most judicious of the French ...
... verse , and Virgil needed not verse to have bounded his . " In our own language we see Ben Jonson confining himself to what ought to be said , even in the liberty of blank verse ; and yet Corneille , the most judicious of the French ...
Sivu 218
... verse . A good poet never establishes the first line till he has sought out such a rhyme as may fit the sense , already prepared to heighten the second : many times the close of the sense falls into the middle of the next verse , or ...
... verse . A good poet never establishes the first line till he has sought out such a rhyme as may fit the sense , already prepared to heighten the second : many times the close of the sense falls into the middle of the next verse , or ...
Sivu 339
... verse without rhyme . Of this mode he had many examples among the Italians , and some in his own country . The Earl of Surrey is said to have translated one of Virgil's books without rhyme ; and , besides our tragedies , a few short ...
... verse without rhyme . Of this mode he had many examples among the Italians , and some in his own country . The Earl of Surrey is said to have translated one of Virgil's books without rhyme ; and , besides our tragedies , a few short ...
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action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written