Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 74
Sivu 264
... effect , by more ways than are gen- erally employed by architects . are so To pass over the effect produced by that gen- eral symmetry and proportion , by which the eye is delighted , as the ear is with music , archi- tecture certainly ...
... effect , by more ways than are gen- erally employed by architects . are so To pass over the effect produced by that gen- eral symmetry and proportion , by which the eye is delighted , as the ear is with music , archi- tecture certainly ...
Sivu 319
... effect and falls to the ground . The sar- casm here glanced at the character of the new or old French noblesse may not be well founded ; but it is so like truth , and " comes in such a questionable shape , " backed with the appear- ance ...
... effect and falls to the ground . The sar- casm here glanced at the character of the new or old French noblesse may not be well founded ; but it is so like truth , and " comes in such a questionable shape , " backed with the appear- ance ...
Sivu 450
... effect of the one moral impression left by a great action treated as a whole , to the effect produced by the most striking single thought or by the happiest image . As he penetrates into the spirit of the great classical works , as he ...
... effect of the one moral impression left by a great action treated as a whole , to the effect produced by the most striking single thought or by the happiest image . As he penetrates into the spirit of the great classical works , as he ...
Sisältö
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Tekijänoikeudet | |
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Yleiset termit ja lausekkeet
action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing