Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 sivua |
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Tulokset 1 - 3 kokonaismäärästä 91
Sivu 24
... follow anything by causal necessity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally follows some other thing , either by ne- cessity , or as a rule , but has nothing ...
... follow anything by causal necessity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally follows some other thing , either by ne- cessity , or as a rule , but has nothing ...
Sivu 47
... follow this suggestion of reason ? and we will listen in a kindly spirit ; for. But when a man is drawn in two opposite di- rections , to and from the same object , this , as we affirm , necessarily implies two distinct princi- ples in ...
... follow this suggestion of reason ? and we will listen in a kindly spirit ; for. But when a man is drawn in two opposite di- rections , to and from the same object , this , as we affirm , necessarily implies two distinct princi- ples in ...
Sivu 548
... follows : " [ In the eighteenth century ] to please the public you had to say to it : ' You are all at least at bottom good , virtuous , full of feeling . Let yourselves go , follow your in- stincts ; listen to nature and you will do ...
... follows : " [ In the eighteenth century ] to please the public you had to say to it : ' You are all at least at bottom good , virtuous , full of feeling . Let yourselves go , follow your in- stincts ; listen to nature and you will do ...
Sisältö
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Tekijänoikeudet | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing