Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 91
Sivu 5
... imitation " than painting . For music can " imitate " the " moral habits " and " states of feeling " that take place in the human mind or soul . The soul is an ... imitation - an imitation that rivals but still concurs INTRODUCTION 5.
... imitation " than painting . For music can " imitate " the " moral habits " and " states of feeling " that take place in the human mind or soul . The soul is an ... imitation - an imitation that rivals but still concurs INTRODUCTION 5.
Sivu 21
... imitation . 5 IV Poetry in general seems to have sprung from two causes , each of them lying deep in our na- ture . 2. First , the instinct of imitation is im- planted in man from childhood , one difference between him and other animals ...
... imitation . 5 IV Poetry in general seems to have sprung from two causes , each of them lying deep in our na- ture . 2. First , the instinct of imitation is im- planted in man from childhood , one difference between him and other animals ...
Sivu 42
... imitation " with the formative shaping and development of hu- man character . But it should be repeated and emphasized that his more specific contribution to the idea of “ imitation " is to narrow the range of what imitative art can do ...
... imitation " with the formative shaping and development of hu- man character . But it should be repeated and emphasized that his more specific contribution to the idea of “ imitation " is to narrow the range of what imitative art can do ...
Sisältö
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Tekijänoikeudet | |
22 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing