Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 sivua |
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Tulokset 1 - 3 kokonaismäärästä 81
Sivu 338
... language of men ; and as- suredly such personifications do not make any natural or regular part of that language . They are , indeed , a figure of speech occasionally prompted by passion , and I have made use of them as such ; but have ...
... language of men ; and as- suredly such personifications do not make any natural or regular part of that language . They are , indeed , a figure of speech occasionally prompted by passion , and I have made use of them as such ; but have ...
Sivu 339
... language of Prose may yet be well adapted to Poetry ; and it was previously as- serted , that a large portion of the language of every good poem can in no respect differ from that of good Prose . We will go further . It may be safely ...
... language of Prose may yet be well adapted to Poetry ; and it was previously as- serted , that a large portion of the language of every good poem can in no respect differ from that of good Prose . We will go further . It may be safely ...
Sivu 384
... language too of these men is adopted ( purified indeed from what appear to be its real defects , from all lasting and rational causes of dislike or disgust ) because such men hourly communicate with the best objects from which the best ...
... language too of these men is adopted ( purified indeed from what appear to be its real defects , from all lasting and rational causes of dislike or disgust ) because such men hourly communicate with the best objects from which the best ...
Sisältö
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing