Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 sivua |
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Tulokset 1 - 3 kokonaismäärästä 80
Sivu 484
... literature . Literature is a large word ; it may mean everything written with letters or printed in a book . Euclid's Elements and Newton's Prin- cipia are thus literature . All knowledge that reaches us through books is literature ...
... literature . Literature is a large word ; it may mean everything written with letters or printed in a book . Euclid's Elements and Newton's Prin- cipia are thus literature . All knowledge that reaches us through books is literature ...
Sivu 500
... Literature ( 1863-67 ) , the intro- duction to which offers the clearest and most incisive statement of his ap ... literature in terms of historical cycles . At the be- ginning of the nineteenth century , as we have seen , the two ...
... Literature ( 1863-67 ) , the intro- duction to which offers the clearest and most incisive statement of his ap ... literature in terms of historical cycles . At the be- ginning of the nineteenth century , as we have seen , the two ...
Sivu 506
... literature , the arts , make up a system in which every local change induces a general change , so that an experienced historian , study ing some particular part of it , sees in advance and half predicts the character of the rest ...
... literature , the arts , make up a system in which every local change induces a general change , so that an experienced historian , study ing some particular part of it , sees in advance and half predicts the character of the rest ...
Sisältö
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Tekijänoikeudet | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing