Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 82
Sivu 85
... Nature hath taken therein . So do the geometrician and arithmetician in their diverse sorts of quantities . So doth the musician in times tell you which by nature agree , which not . The natural philosopher thereon hath his name , and ...
... Nature hath taken therein . So do the geometrician and arithmetician in their diverse sorts of quantities . So doth the musician in times tell you which by nature agree , which not . The natural philosopher thereon hath his name , and ...
Sivu 396
... nature in the higher sense and the soul of man.8 The wisdom in nature is distinguished from that in man by the co - instantaneity of the plan and the execution ; the thought and the product are one , or are given at once ; but there is ...
... nature in the higher sense and the soul of man.8 The wisdom in nature is distinguished from that in man by the co - instantaneity of the plan and the execution ; the thought and the product are one , or are given at once ; but there is ...
Sivu 409
... nature , or something we take for nature ; secondly , this object must be in the full sense of the word simple , that is , presenting the entire contrast of nature with art , all the ad- vantage remaining on the side of nature ...
... nature , or something we take for nature ; secondly , this object must be in the full sense of the word simple , that is , presenting the entire contrast of nature with art , all the ad- vantage remaining on the side of nature ...
Sisältö
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Tekijänoikeudet | |
22 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing