Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 sivua |
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Tulokset 1 - 3 kokonaismäärästä 85
Sivu 258
... principles , it will be necessary , that that art and those principles should be considered in their correspondence with the principles of the other arts which , like this , address themselves primarily and principally to the ...
... principles , it will be necessary , that that art and those principles should be considered in their correspondence with the principles of the other arts which , like this , address themselves primarily and principally to the ...
Sivu 264
... principles in common with poetry and painting . Among those which may be reckoned as the first is that of affecting the imagination by means of association of ideas . Thus , for instance , as we have naturally a veneration for antiquity ...
... principles in common with poetry and painting . Among those which may be reckoned as the first is that of affecting the imagination by means of association of ideas . Thus , for instance , as we have naturally a veneration for antiquity ...
Sivu 574
... Principles of Literary Criticism is further rami- fied by Richards in his Coleridge on the Imagination ( 1934 ) . In reviving the use of psychology as a fulcrum for the criticism of poetry , Richards , in the Principles of Literary ...
... Principles of Literary Criticism is further rami- fied by Richards in his Coleridge on the Imagination ( 1934 ) . In reviving the use of psychology as a fulcrum for the criticism of poetry , Richards , in the Principles of Literary ...
Sisältö
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing