Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 sivua |
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Tulokset 1 - 3 kokonaismäärästä 82
Sivu 259
... reason , which , however powerfully exerted on any par- ticular occasion , will probably comprehend but a partial view of the subject ; and our conduct in life as well as in the arts is , or ought to be , generally governed by this ...
... reason , which , however powerfully exerted on any par- ticular occasion , will probably comprehend but a partial view of the subject ; and our conduct in life as well as in the arts is , or ought to be , generally governed by this ...
Sivu 323
... reason to be the end or means of Art , independent of the known first effect produced by objects on the imagination , must be false and delusive . For though it may appear bold to say it , the imagination is here the residence of truth ...
... reason to be the end or means of Art , independent of the known first effect produced by objects on the imagination , must be false and delusive . For though it may appear bold to say it , the imagination is here the residence of truth ...
Sivu 467
... reason and the will of God prevail ! " 3 Only , whereas the passion for doing good is apt to be overhasty in determining what reason and the will of God say , because its turn is for acting rather than thinking and it wants to be ...
... reason and the will of God prevail ! " 3 Only , whereas the passion for doing good is apt to be overhasty in determining what reason and the will of God say , because its turn is for acting rather than thinking and it wants to be ...
Sisältö
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Tekijänoikeudet | |
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action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing