Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 79
Sivu 45
... things else that anybody knows , and every single thing with a higher degree of accuracy than any other man - whoever tells us this , I think that we can only imagine him to be a simple creature who is likely to have been deceived by ...
... things else that anybody knows , and every single thing with a higher degree of accuracy than any other man - whoever tells us this , I think that we can only imagine him to be a simple creature who is likely to have been deceived by ...
Sivu 474
... things ; and here is a tribunal , free from all suspicion of national and provincial partiality , putting a stamp on the best things , and recommending them for general honour and acceptance . A na- tion , again , is furthered by ...
... things ; and here is a tribunal , free from all suspicion of national and provincial partiality , putting a stamp on the best things , and recommending them for general honour and acceptance . A na- tion , again , is furthered by ...
Sivu 570
... thing is that it provides you with a fixed basis from which you can deduce the things you want in aesthetics . The process is the exact contrary . You start in the confusion of the fighting line , you retire from that just a little to ...
... thing is that it provides you with a fixed basis from which you can deduce the things you want in aesthetics . The process is the exact contrary . You start in the confusion of the fighting line , you retire from that just a little to ...
Sisältö
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY 13 33 | 13 |
Plato | 39 |
Tekijänoikeudet | |
22 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
action admiration ancient Aristotle artist beauty believe Ben Jonson blank verse called century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern Molière moral nature neoclassic neoclassicism never object original passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing