PLEASURE
LEASURE in observing the tempers and manners of men, even where vicious or absurd. The origin of vice, from false representations of the fancy, producing false opinions concerning good and evil. Inquiry into ridicule. The general sources of ridicule, in the minds and characters of men, enumerated. Final cause of the sense of ridicule. The resemblance of inanimate things to the sensations and properties of the mind. The operations of the mind in the productions of the works of imagination, described. The secondary pleasure from imitation. The benevolent order of the world illustrated in the arbitrary connection of these pleasures with the objects which excite them. The nature and conduct of taste. Concluding with an account of the natural and moral advantages resulting from a sensible and well ino formed imagination.
HAT wonder therefore, since the endearing ties Of passion link the universal kind Of man so close, what wonder if to search This common nature through the various change Of sex, and age, and fortune and the frame Of each peculiar draw the busy mind With unresisted charnis ? The spacious west, And all the teeming regions of the south Hold not a quarry, to the curious flight Of knowledge half so tempting or so fair, As man to man. Nor only where the smiles Of love invite ; nor only where the applause Of cordial honour turns the attentive eye On virtue's graceful deeds. For since the course Of things external acts in different ways On human apprehensions, as the hand Of nature temper'd to a different frame Peculiar minds ; so haply where the powers Of fancy neither lessen nor enlarge The images of things, but paint in all Their genuine hues, the features which they wore In nature; their opinion will be true,
And action right. For action treads the path In which opinion says he follows good, Or flies from evil; and opinion gives Report of good or evil, as the scene Was drawn by fancy, lovely or deformed. Thus her report can never there be true, Where fancy cheats the intellectual eye, With glaring colours and distorted lines. Is there a man, who at the sound of death, Sees ghastly shapes of terror conjured up, And black before him ; nought but death-bed groans, And fearful prayers, and plunging from the brink Of light and being, down the gioomy air, And unknown depth ? Alas ! in such a mind, If no bright forms of excellence attend The image of his country ; nor pomp Of sacred senates, nor the guardian voice Of justice on her throne, nor ought that wakes The conscious bosom with a patriot's flame; Will not opinion tell him, that to die, ür stand the nazard, is a greater i!! Than to betray his country? And in act Will not he chuse to be a wretch and live ? Here vice begins then. From the enchanting cup Which fancy holds to all, the unwary thirst Of youth oft swallows a Circæan draught, That sheds a baleful tincture o'er the eye Of reason, till no longer he discerns, And only guides to err. Then rével forth A furious band that spure him from the throne ; And all is uproar. Thus ambition grasps The empire of the soul ; thus pale revenge Unsheath's her murd'rous dagger; and the hands Of lust and rapine, with unholy arts, Watch to o'erturn the barrier of the laws That keeps them from their prey ; thus all the plagues The wicked bear, or o'er the trembling scene The tragic muse discloses, under shapes Of honour, safety, pleasure, ease or pomp, Stole first into the mind. Yet not by all Those lying forms which fancy in the brain Engenders, are the kindling passions driven To guilty deeds ; nor reason bound in chains, That vice alone may lord it ; oft adorn'd With solemn pageants, folly mounts his throne, And plays her ideot antics, like a queen.
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A thousand garbs she wares ; a thousand ways She wheels her giddy impire. Lo! thus far With bold adventure, to the Mantuan lyre I sing of nature's charms, and touch well pleas'd A stricter note ; now haply trust my song Unbend her serious measure, and reveal In lighter strains, how folly's awkard arts Excite impetuous laughter's gay rebuke ; The sportive province of the comic muse.
See in what crowds the uncouth forms advance ; Each would outstrip the other, each prevent Our careful search, and offer to your gaze, Unask'd, his motely features. Wait awhile, My curious friends! and let us first arrange In proper orders your promiscuous throng.
Behold the foremost band ; of slender thought, And easy faith! whom flattering fancy sooths With lying spectres, in themselves to view Illustrious forms of excellence and good, That scorn the mansion. With exulting hearts They spread their spurious treasure to the sun ; And bid the world admire! but chief the glance Of wishful envy draws their joy bright eyes, And lifts with self applause each lordly brow. In number boundless as the bloom of spring, Behold their glaring idols, empty shapes By fancy gilded o'er, and then set up For adoration. Some in learning's garb, With formal band and sable cinctur'd gown And rags of mouldy volumes. Some elate With martial splendour, steely pikes and swords Of costly frame, and gay Phoenician robes Inwrought with flow'ry gold, assunie the port Of stately valour ; list’ning by his side There stands a female form ; to her, with looks Of earnest import, pregnant with amaze, He talks of deadly deeds, of breaches, storms, And sulph'rous mines, and ambush ; then at once Breaks off, and smiles to see her look so pale, And asks 'some wondering question of her fears, Others of graver mein ; behold, adorn'd With holy ensigns, how sublime they move, And bending oft their sanctimonious eyes, Take homage of the simple minded throng ;
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